• If You Can’t Dazzle Them With Your Brilliance, Then Baffle Them With Your Blisluth. Pt2
  • Angels Over Oakanda – Vinyl edition
  • Angels Over Oakanda – Digital Edition
  • Twentieth Anniversary Mixtapes Groiddest Schizznits, Vol. One
  • Twentieth Anniversary Mixtapes Groiddest Schizznits Volume Two
  • Twentieth Anniversary Mixtapes Groiddest Schizznits, Vol. Three
  • All You Zombies Dig The Luminosity
  • Rebellum: The Darknuss
  • All Ya Needs That Negrocity
  • The ElectroCution of Miles Davis: A Burnt Sugar Tribute Performance
  • Making Love to the Dark Ages
  • Chopped and Screwed Volume 2
  • More Than Posthuman – Rise of the Mojosexual Cotillion
  • If You Can’t Dazzle Them With Your Brilliance, Then Baffle Them With Your Blisluth
  • Burnt Sugar: Live From Minnegiggle Falls
  • Not April in Paris; Live from Banlieus Bleues
  • The Rites: Butch Morris Conductions Inspired By Stravinsky’s Le Sacre Du Printemps
  • Black Sex Yall: Liberation & Bloody Random Violets
  • That Depends on What You Know: 1:3 The Sirens Return / Keep It Real ‘Til It Flatlines
  • That Depends on What You Know: 2:3 The Crepescularuim
  • That Depends on What You Know: 3:3  Fubractive Since Antiquity Suite
  • Blood On The Leaf

The Rites: Butch Morris Conductions Inspired By Stravinsky’s Le Sacre Du Printemps

Experimental classical and electronic muses meet with a touch of weird, avant-garde jazz.
With: Lawrence D. “Butch” Morris, Pete Cosey, Mazz Swift, Melvin Gibbs, Okkyung Lee, Vijay Iyer, & Lewis “Flip” Barnes.

“Of course an eclectic lineup such as this requires strong direction and, this time around, the whip comes from guest conductor Butch Morris. His style of conducting is not to lead a group through a written score, but to react to the ongoing group improvisation and pulls what he feels are the right sounds and elements out of the musicians. His touch ranges from gentle string interludes that organically meld into fractured ambient washes to deep bass grooves and long guitar lines that produce soaring, sustained aches or disturbing subterranean agitations. The music is generally abstract, but there is an element of excitement as its form grows and the pieces sprout new limbs. “The Rites” is Burnt Sugar’s fifth album since forming in 1999 and there are several more on the way. Collect ”em all, kids.”
Tom Bojko: The Japan Times

“As with their live appearance in London recently, there”s a leviathan-like sense of a large mass gathering momentum. A sweating, straining, feeling alternative to the non-corporeal floodtide of electronica, Greg Tate”s groove-based, improvising, conductioned, yelling, tender, big (massive) band make an unassailable argument for the organic, the electric. Burnt Sugar are a mobile unit, heavy but limber as a panther – seemingly able to tackle any subject at will. The last hundred years is a smorgasbord for this groups delectation; join the feast.”
Colin Buttimer of the BBC online



BSAC “The Rites” Edition

Conduction ~ Lawrence D. “Butch” Morris
Guitars ~ Pete Cosey ~ Rene Akan ~ Morgan Michael Craft ~ Jimmy Lee
Electric Bass ~ Melvin Gibbs
Double Bass ~ Jason Tobias DiMatteo
Violin ~ Mazz Swift
Cello ~ Okkyung Lee
Acoustic Piano ~ Vijay Iyer
Nord Synthesizer ~ Bruce Mack
Turntablist ~ DJ Mutamassik
Voices ~ Lisala Beatty ~ Justice Dilla X
Drums ~ Trevor Holder ~ Qasim Naqvi
Trumpet ~ Lewis “Flip” Barnes
Flute ~ Satch Hoyt
Electrovox ~ Latasha N. Nevada Diggs


Recorded at The Fifth House, Brooklyn NY ~ October 8th, 2002
Recording Engineer ~ Peter Karl
Production ~ Greg Tate
Executive Producer ~ Jared Michael Nickerson for Burnt Sugar Index LLC


Photography ~ Arthur Jafa
Graphic Design ~ Nneka Bennett
Haitian Mer ~ Lion Sculpture ~ Serge Jolimeau
Jewerly ~ Sistaphyre

Extra Special Thanks for Ground Support To ~ LaRonda Davis ~ Cathy Campbell ~ Gabri Christa ~ Bill Bragin ~ Amy Gail ~ Sasha Dees ~ Other Musix ~ Dusty  Groove ~ Nedezdha Ball ~ Laz Lopez & Arts International.

Additional Thanks To ~ Dorothy Desie ~ David Fricke ~ Stefanie Kelly & Robert Christgau.