Author: Jared Michael Nickerson

  • More About The Sunday Bump & The W.O.W. Hall & Community Center for the Performing Arts (CCPA)

    More About The Sunday Bump & The W.O.W. Hall & Community Center for the Performing Arts (CCPA)

    The Sunday Bump is an eight-piece neo-soul fusion band from Eugene dedicated to pushing the boundaries of funk, jazz and pop to the absolute limit.
    Band members are Lee Burlingame, Luke Broadbent, “The” Sam Dale, Charles DeMonnin, Ian Michael Lindsay, Ken Mastrogiovanni, Max Pinder, Souvagini Paul, Keenan Dorn and Justin Kiatvongcharoen.

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    The corner of 8th and Lincoln, the location of W.O.W. Hall, has been a community gathering place since the days the city was founded Eugene Skinner.  When Joseph Cullen Root founded Woodmen of The World fraternal organization in 1880 , he envisioned an organization who’s purpose was “to minister to the afflicted to relieve distress; to cast a sheltering arm about the defenseless living ;… to encourage broad charitable views…”  The Eugene chapter provided health benefits, life insurance and burial costs while undertaking charitable and recreational activities for children and adults.  Women participated through a sister organization, the Women of Woodcraft.

    In 1975 it was learned that the Hall would soon be sold and possibly demolished. To keep the building available to the community, a group of concerned users, performers, neighbors and historical preservation enthusiasts organized the Community Center for the Performing Arts (CCPA), a nonprofit (501c3) corporation.

    In 1996 the W.O.W. Hall was officially designated a historic landmark by the National Register of Historic Places. “No building has stronger connections to Eugene’s yeasty culture,” noted the Register-Guard.

    The CCPA is dedicated to providing a safe and friendly meeting place for the community, a place for appreciation of the arts for all ages and income levels, and a training ground for new generations. The organization prides itself on the diversity of local, regional, national and international performing artists. The Hall is also used for classes, workshops, workouts, meetings, rehearsals and recording sessions. The Lobby Art Gallery displays the work of a different regional artist each month.  The CCPA runs on volunteer energy and volunteer training is provided monthly. Volunteers develop job skills while demonstrating dependability, punctuality and the ability to work as part of a team. The CCPA has involved thousands of volunteers, about half area teenagers.  The CCPA is committed to providing arts for all ages. In a community that needs more recreational opportunities for youth, the CCPA not only provides a space for young adults, teenagers and kids to enjoy live concerts, it actively involves youth in planning, promoting, performing at and staffing shows.

  • What’s in a Sweet Sticky Songbook …

    How about a dollop of The Ohio Players … Roger Troutman & Zapp … Lakeside … Junie Morrison … Heatwave … Slave … Aurra & … Steve Arrington’s Hall of Fame.

    Then there might also be a dab of Faze-O … Sun … Dayton and Platypus.   Sugar Family and Friends … can you “taste” the upcoming funky good time … I know you can!

  • More About Piper Carter, Bryce Detroit and Greg Tate

    As part of the D.I.A.’s Tribute to Detroit Hip Hop, Greg Tate will have a conversation with Piper Carter, founder of the Foundation of Women in Hip Hop, and Bryce Detroit, music producer and founder of Detroit Recordings accompanied by the BSA~GR Cru.

    Piper Carter says in an Urban Innovation Exchange article written by MJ Galbraith … “Our philosophy is that Hip Hop is in everything and that everything is Hip Hop. That’s the way we see things,” says Carter. “So what that means is that Hip Hop is the culmination of many cultures. That is why if you go to Japan, you’ll see Hip Hop. Anywhere you go, you’ll see Hip Hop. It may look different, it may dress different and have a different accent and maybe a different flavor, but the true essence of Hip Hop is the DIY culture.”

    Read the full article here : http://www.uixdetroit.com/people/pipercarter.aspx

    Bryce Detroit is a visionary, record executive, producer, evolutionary Emcee, and native Detroiter. He grows community as Director of HERU Organization, board member of 5E Gallery, and founding member of the Detroit Future Youth network. He grows 21st century cooperative economies as President of Detroit Recordings Company, organizational member of the Cass Corridor Commons, and Detroit Future Media graduate. He is leading innovation in Detroit, using entertainment arts for promoting self-determination and community-building through sustainable collective-economies.  Bryce is a leading cultural figure in Detroit’s food security, environmental, undoing racism, and digital justice movements. He has performed his music for audiences nationwide and published works with MTV and VH1.

    Greg Tate was a staff writer at The Village Voice from 1987-2003 and is currently a Village Voice cover article scribe as witnessed by his recent feature on Jay-Z (July12-18). Tate’s writings on culture and politics have also been published in The New York Times, The Washington Post, Artforum, Rolling Stone, VIBE, Premiere, Essence, Suede, The Wire, One World, Downbeat, and JazzTimes. Tate was recently acknowledged by The Source magazine as one of the ‘Godfathers of Hip Hop Journalism’ for his groundbreaking work on the genre’s social, political, economic and cultural implications in the period when most pundits considered it a fad.

  • More About Jenny Risher, DIA’s “Friday Nights Live”, Duminie Deporres & The BSA~GD

    D-Cyphered: Portraits by Jenny Risher will take viewers on a photographic timeline that makes up the story of the Detroit hip-hop scene. Often overlooked by the movements in New York and Los Angeles, Detroit’s hip-hop history is deeply shaped by the various elements of Motown and Detroit techno. Since the emergence of Eminem and his movie 8 Mile, and the recognition of the genius of the late J. Dilla, Detroit has seen a deep underground scene emerge and gain national recognition. Through this exhibition the rich history that makes Detroit hip-hop a one-of-a kind genre will be explored.  The exhibition consists of approximately 75 photographs made from 2015 through 2017. Detroit native and photographer Jenny Risher collaborated with musical artists, producers, and DJ’s to create a portrait series telling the influences and legacy of Detroit’s legendary hip-hop scene.

    This exhibition is organized by the Detroit Institute of Arts and Jenny Risher. Support has been provided by the Founders Junior Council of the DIA and the Community Foundation for Southeast Michigan.  This exhibition is free with general museum admission. General museum admission is free for residents of Wayne, Oakland and Macomb counties.

    In conjunction with the opening of the D-Cyphered: Portraits by Jenny Risher photography exhibition, the DIA presents a “Friday Night Live!” Rap battle, also known as a Cypher battle, featuring Detroit Hip Hop artists, with instrumental accompaniment by Detroit Guitar Legend Duminie Deporres and the Burnt Sugar Arkestra Riddem Cru.

    In a Detroit Metro Times article by  Hobey Echlin … Duminie says … “I’ve helped more people paint their pictures in this city than Picasso. Lately, I feel like Goya.”

    Read the full MT article here : https://www.metrotimes.com/detroit/funk-duminie-est/Content?oid=2197649

    Only interested the”essence of the groove” BSA presents it’s “Groove Down Crew” Bruce Mack-Keyboards~Ben Tyree-Electric Guitar~Chris Eddleton-Drums~ Jared Michael Nickerson-Electric Bass

    General admission is free for residents of Wayne, Oakland and Macomb counties.

    Friday Night Live! is supported by the DTE Energy Foundation and your tri county millage investment in the DIA.

  • PDX … Soul’d Out Productions & The Jack Russell Revue Two Times

    Beginning operations in 2003, PDX Jazz is a non-profit cultural arts organization and the presenter of the Portland Jazz Festival. Conceived by former Mt. Hood Festival Artistic Director Bill Royston, the proposed annual event was awarded a three-year city government grant with co-founder and partner Travel Portland (formally POVA). The Festival’s mandate was established as a cultural tourism initiative to celebrate February’s Black History Month by highlighting a series of jazz education and outreach programs that would extend into Portland’s schools and community centers. Current PDX Executive Artistic Director Don Lucoff, who’s involvement with Jazz dates back to the 1980’s (stints at the Playboy Jazz Festival, MCA Records Jazz Division and DL Media) has continued to build on PDX’s mandate to foster the growth of musical offerings in Portland and throughout the Pacific Northwest.

    Nick Harris and Haytham Abdulhadi co-found Soul’d Out Productions in 2008. They been promoting great soul, funk, R&B and hip hop all across Portland ever since, filling a wide gap in the city’s musical landscape.

    The Jack London Revue is the Pacific NW’s new destination for Jazz. Located in the historic Alder Building in downtown Portland, OR, the Jack London combines the classic speakeasy feel of an historic basement Jazz club with the modern bells and whistles of a cutting-edge 21st Century club.

    BSA is thrilled, hit us two times, that our first Portland OR appearance in over fifteen years, under the co-banner of PDX and Soul’d Out Productions, will shine a flashlight on BSA’s cornucopia of musical wonderment with a late night Tribute to the Dearly Departed Purple One as only the Burnt Sugar Arkestra can do …  Ya Heard!

  • More about Portland Jazz, Soul’d Out Productions & The Jack Russell Revue & “We Insist! Freedom Now” Suite

    Beginning operations in 2003, PDX Jazz is a non-profit cultural arts organization and the presenter of the Portland Jazz Festival. Conceived by former Mt. Hood Festival Artistic Director Bill Royston, the proposed annual event was awarded a three-year city government grant with co-founder and partner Travel Portland (formally POVA). The Festival’s mandate was established as a cultural tourism initiative to celebrate February’s Black History Month by highlighting a series of jazz education and outreach programs that would extend into Portland’s schools and community centers. Current PDX Executive Artistic Director Don Lucoff, who’s involvement with Jazz dates back to the 1980’s (stints at the Playboy Jazz Festival, MCA Records Jazz Division and DL Media) has continued to build on PDX’s mandate to foster the growth of musical offerings in Portland and throughout the Pacific Northwest.

    Nick Harris and Haytham Abdulhadi co-found Soul’d Out Productions in 2008. They been promoting great soul, funk, R&B and hip hop all across Portland ever since, filling a wide gap in the city’s musical landscape.

    The Jack London Revue is the Pacific NW’s new destination for Jazz. Located in the historic Alder Building in downtown Portland, OR, the Jack London combines the classic speakeasy feel of an historic basement Jazz club with the modern bells and whistles of a cutting-edge 21st Century club.

    BSA is thrilled (hit us one time) that our first Portland OR appearance in over fifteen years, under the co-banner of PDX and Soul’d Out Productions, will shine a flashlight on BSA’s cornucopia of musical wonderment with an early evening performance of the “We Insist! Freedom Now” suite … Abby Lincoln, Max Roach and Oscar Brown Jr.’s pivotal and still timely 1960’s social-justice-seeking recording  … “caramelized” as only the Burnt Sugar Arkestra can do …  Ya Hear