Author: Jared Michael Nickerson

  • Concert of Colors

    Concert of Colors

    Poster for Burnt Sugar the Arkestra Chamber at Concert of Colors. Detroit. July 25, 2022

    The Concert of Colors is metro Detroit’s free annual diversity-themed music festival. Global music at its finest at this colorful, festive, upbeat coveted summer event. Housed in Culture Source a coalition of 152 arts organizations in Southeast Michigan, the Concert of Colors has become the Midwest’s biggest diversity and arts festival.

    It is produced by the Concert of Colors with partners Culture Source, The Detroit Institute of Arts, Charles H. Wright Museum of African American History, ACCESS,  University of Michigan – Detroit Center, Michigan Science Center, Detroit Historical Museum, College For Creative Studies, Hellenic Museum of Michigan, Third Man Records, Lowriders of Detroit, Science Gallery Detroit, Detroit Symphony Orchestra, Midtown Inc., University of Michigan Dearborn, University of Michigan – Detroit, Arab American National Museum, WDET, The Scarab Club, International Institute of Metro Detroit and Marx Layne & Company.

    The goal of the upbeat, week-long festival is to unite metro Detroit’s diverse communities and ethnic groups through music and dance from around the world – and create a dialogue where participants embrace freedom of expression.

    Over its rich 30-year history, the festival has blossomed into a celebrated, beloved highlight of metro Detroit’s summer festival season- one of the few remaining large-scale, free-admission music festivals in the area.

    The Concert of Colors was established by Ismael Ahmed – the former head of the human services organization ACCESS – and New Detroit in 1993 as a one-day event at Chene Park on Detroit’s riverfront. The inaugural event drew a modest crowd to Chene Park, but by 1999, some 10,000 music lovers were coming out each year. The festival expanded to three days in 2001, when it was part of the official festivities for Detroit’s 300th birthday, drawing an audience of 100,000. In 2019, the concert expanded to nine days.

    Back in 2005, the festival’s opening night performance was relocated to historic Orchestra Hall at the Max M. & Marjorie S. Fisher Music Center in Detroit, the home of the Detroit Symphony Orchestra (DSO). The DSO became a full partner in 2006 as the entire festival relocated to the Max M. & Marjorie S. Fisher Music Center, with two indoor stages and one outdoor stage. In 2007, the festival grew to encompass four days of free live music. A major new development took place in 2008 when Don Was, über producer and the President of Blue note records, joined the Concert of Colors working group to curate and produce The Don Was All-Star Revue that has become the top yearly showcase of Motor City music in the country.

    In 2010, the Detroit Institute of Arts joined this remarkable collaborative effort, and as of 2019 is serving as the Main Stage for Concert of Colors. In 2011, the number of festival venues expanded to four, with the addition of the Scarab Club and a new presenting partner, the Charles H. Wright Museum of African American History which also expanded its’ role. 

    In recent years, attendance at the Concert of Colors has been more than 30,000.

    World music, including the indigenous music of the Motor City, is the major focus of the Concert of Colors, but not the only focus. The festival also offers ethnic food, merchandise vendors, movies, poetry, children’s activities and much more. In 2014, The Arab American National Museum restored the annual Forum on Community, Culture and Race that began in 2006. The Forum is a conference featuring presentations and discussion among artists, people connected to cultural institutions and community leaders to examine the role of arts and culture in overcoming racial and ethnic barriers.

  • HotHouse Unity in the Community “Pocket” Festival

    HotHouse Unity in the Community “Pocket” Festival

    On Saturday, July 23, The Center for International Performance and Exhibition dba HotHouse will host a “Pocket Festival” to celebrate their 35th anniversary.

    This multi-arts event will feature performances by Trio W.A.Z., The Fred Jackson Quintet, and Burnt Sugar The Arkestra Chamber. Visual and conceptual artist Mikael DiFiore will lead group art–making activities. The Jazz Journalist Association will present a posthumous Lifetime Achievement Award to Gregory Stephen Ionman Tate – the founder of the Burnt Sugar Arkestra.

    HotHouse is staging this important gathering on the historic site of the Chicago Youth Center at 3953 S. Michigan.

    Guests are invited to bring their own chairs and picnic

    The program will be simultaneously live-streamed at no charge via HotHouseGlobal channels (YouTube, Twitch and Facebook). While the event is free, registration is encouraged via the Eventbrite Registration.
    Details at hothouse.net/event/our-35th-anniversary-pocket-festival

    Given this is an outdoor program, if canceled due to weather there will be no refunds for tickets/ donations.

    HotHouse received partial support from a City of Chicago Department of Cultural Affairs & Special Events grant for this event.

  • Our Wicked Lady’s History & Covid Policy

    This huge, once empty Bushwick warehouse was transformed into Our Wicked Lady (OWL) in 2015. With a spacious open-air in the warmer months and fully winterized in the colder months rooftop terrace and bar; plus rehearsal spaces and artist studios below, OWL is truly a gathering place for Brooklyn’s artist community.

    OWL would like you to know that In accordance with current city guidelines we must now check guests for proof of at least one covid vaccination shot. All guests will need to show a valid photo I.D. along with a completed vax card ( or clear photo of it ), excelsior pass (free app) or NYC covid safe (free app) upon entry.

    Event is Rain or Shine as Our Wicked Lady’s rooftop venue is covered.

  • While We Are Still Here…


    Burnt Sugar is honored to be a part of “The 5th Annual Sugar Hill Music Festival” (In Tribute to the Mizell Brothers and Gil Scott-Heron) presented by “While We Are Still Here” .

    Sat, Sep 25, 2021, 2:00 PM EDT.

    Sugar Hill Luminaries Lawn
    Highbridge Park 
    155th Street and Edgecombe Avenue Harlem, NY 10032

    While We Are Still Here” (WWSH) exists to ensure the “post-gentrified” community of Harlem and beyond honors and finds a meaningful connection to the legacy of the African American Harlemite’s achievements and paramount importance to world culture.

    Especially those whom resided on Edgecombe Avenue.

    This is a Free and All Ages event. WWSH does welcome “Pay What You Choose” support of $15-$25-$50 & $75 to help honor Harlem and Edgecombe Avenue’s history. Hit this link to contribute & grab your tix.

    Along with Charenee Wade’s tribute to Gil Scott Heron, James Carter and the Sugar Hill Quartet, the Duane Eubanks Quintet and our tribute to the Mizell Brothers, there will be “Reading Across Harlem” featuring an interview with legendary poet Abiodun Oyewole.

    Abiodun Oyewole is a founding member of The Last Poets and self-described “author, musician, mentor, father and lifelong learner.” His “Branches of the Tree of Life: The Collected Poems of Abiodun Oyewole, 1969-2013” will be available for purchase, courtesy of 2 Leaf Press.  

    WWSH acknowledges the generous support of the J. Rosamond Johnson Foundation and Melanie Edwards, without whom this edition of The Sugar Hill Festival would not have taken place.

  • B.S.A.C. returns to R.A.W. with special guests … The Veldt !

    We’re happily heading back to one of our favorite venues in the whole wide world Real Art Ways with a very, very special guest … Raleigh N.C.’s The Veldt!
    Real Art Ways, in Hartford CT.
    Sunday, September 26, 2021 at 2pm.

    Website

    Daniel and Danny Chavis lifted their band’s name from a Ray Bradbury science fiction story. Their own life stories have also been quite fantastic. After signing to Capitol Records in 1989, The Veldt were soon in the studio with dream-gaze guru Robin Guthrie working on their initial recordings. They played American concert halls with Cocteau Twins and The Jesus and Mary Chain, and recorded ‘Marigolds’ with Lincoln Fong (Moose). Not long after, they would record their classic ‘Afrodisiac’ (1994), produced by Ray Shulman (The Sundays, Bjork, Sugarcubes) and released via Mercury Records.

    They have also collaborated with TV On The Radio, Mos Def and Lady Miss Kier (Deee-Lite), and shared the stage with The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, The Jesus and Mary Chain, Oasis, Chuck D, Living Colour and Schooly D.

    The Veldt (Raleigh N.C. ~ R.A.W. Edition) Daniel Chavis guitar/ vocals ~ Danny Chavis lead/guitar ~ Martin Newman guitar/effects ~ Alex Cox bass/loops ~ Dale Miller drums/loops  

    “With Danny’s enveloping hooks, Daniel’s swooning falsetto… the new songs invite paradoxical praise: serenely assaultive, vertiginously soothing.” — The Guardian

    With an effort to embellish the liquid love lines and orange sunshine sonic vibes Burnt Sugar Arkestra, The Veldt and DJ Mr. Realistic will saturate Real Artis Ways in, Southern Bell Soul Food and Bloom Kitchen & Co. food trucks will be onsite to keep your tummy tight and keep you light on your feet.

    Folks, please, whatever you do, don’t eat all the cornbread!

    Most importantly, Real Art Ways would also like to let you know that “As you return to our physical space, your health and safety are our top priority. Starting Thurs. Sep. 16 at Creative Cocktail Hour, all guests to Real Art Ways will be required to show proof of vaccination or a negative COVID-19 test taken within the last 72 hours, with a corresponding photo ID.”

    All the pertinent information regarding the steps R.A.W. has taken to ensure the health and safety of the Hartford community and all who visit can be found on their Welcome Back Page.

  • More on NOIR BIZARRE & The Imploding Black Inevitable

    NOIR BIZARRE is the lifestyle brainchild of Daniel Chavis of the co-led with his brother Danny Chavis world famous The Veldt. The Imploding Inevitable is the start-up event to announce a full-blown NOIR BIZARRE festival in 2020.

    The Imploding Black Inevitable, along with evening performances by The Veldt (11pm), BSAC (10pm) and Last of the Ghetto Astronauts (9pm) will feature an all-day Pop-Up market starting at 2pm. To enter the SKYHOUSE ( located at 302 Blount Street ) you will have to have either a vaccination card or be able to show Proof of a Negative Test within forty-eight hours of the event with a government-issued I.D..

    This event debuts the Raleigh Event Collective. Folks if you didn’t know … Now you Know!