Author: Burnt Sugar

  • Late Night Groovy at The Blue Note NYC

    Late Night Groovy at The Blue Note NYC

    Get your Late Night Groove with us at The Blue Note NYC!
    Saturday December 4  ’round  1am
    We recommend reserving a spot at the table. – Here’s your link

    The Blue Note Late Night Groove Series presents Burnt Sugar
    The Blue Note Late Night Groove Series presents Burnt Sugar
  • It’s Gonna Be a Coco Dope Groove Sugar!

    It’s Gonna Be a Coco Dope Groove Sugar!

    Burnt Sugar, MK Groove Orchestra & Dope Sagittarius

    Fri­day, Novem­ber 19th 2010
    8:00pm
    Coco66
    66 Greenpoint Ave. Brooklyn
    (between Franklin and West)
    G train to Greenpoint Ave.
    $6 in advance $8 at the door
    buy tickets

    WITH:

    THE MK GROOVE ORCHESTRA

    The MK Groove Orchestra is not your grandparents big band, the MKGO is equal parts rock band and jazz band, drawing upon all sounds and cultures that inspire them. Musical omnivores to say the least, depending on what night you see the group, you may be treated to a transcription of a B side from an obscure old school funk 45, the opening theme of a Bruce Lee film, a rendition of a classic recording by a Cuban orchestra from the 50s or a classic rock anthem…most likely all of the above. The MKGO’s originals also have an equal sense of adventure and breadth, written with clarity and purpose and performed integrity, intensity and virtuosity. Imagine all this…wrapped in face melting guitars.
    website: www.mkmkmk.com

    DOPE SAGITTARIUS
    Dope Sagittarius are a electro, hip hop, punk rock extravaganza. This 3 piece unit of Bass, Drums, & Guitar (& computer) is like one mega DJ, mixing and blending Hot modern dance floor beats guaranteed to have the party jumping. Utilizing live instruments to create amazing grim, dub step, drum & bass, & breakbeats. M.C. Whistler lyrical flow switches styles so fast that you will do a double take, looking for the DJ.
    website: www.myspace.com/dopesagittarius

  • BURNT SUGAR presents TWO OR THREE THINGS SHE KNOW ABOUT WILD

    A Primer In How Sisters Freely Conduct Themselves in The D

    Featuring Mazz Swift and Latasha Nevada Diggs on violin,vocals and EFX Greg Tate on laptop,guitars+baton, Jared Michael Nickerson on bass and The Next Detroit Harmolodic Arkestra (Joel Peterson, Duminie Deporres, James “the Blackman” Harris, Skeeter CR Shelton and more)
    Admission: $8.00 all ages

    www,mocadetroit.org/upcomingevents.html

    DETROIT – On November 5th, 2010 the Museum of Contemporary Art Detroit will introduce Burnt Sugar to Detroit. Burnt Sugar is an improvising, experimental jazz/funk/soul orchestra conducted by Greg Tate out of New York City. On this special occasion they will be accompanied by some of Detroit’s finest players, hand-picked just for this performance to perform as a group with the Burnt Sugar crew.

    Greg Tate – Conductor/Electric guitar
    Greg Tate was a Staff Writer at The Village Voice from 1987-2003. His writings on culture and politics have also been published in The New York Times, The Washington Post, Artforum, Rolling Stone, VIBE, Premiere, Essence, Suede, The Wire, One World, Downbeat, and JazzTimes. He was recently acknowledged by The Source magazine as one of the ‘Godfathers of Hiphop Journalism’ for his groundbreaking work on the genre’s social, political, economic and cultural implications in the period when most pundits considered it a fad. Tate has also written for the Museum of Modern Art, The Whitney Museum, ICA Boston, ICA London, Museum of Contemporary Art Houston, The Studio Museum In Harlem, The Gagosian Gallery, Deitch Projects and the Tate Museums London and Liverpool. His writing about visual art includes monographs and essays about Chris Ofili. Wengechi Mutu, Jean Michel Basquiat, Ellen Gallagher, Kehinde Wiley and Ramm El Zee.

    Latasha N. Nevada Diggs – Effected Vocals & Soundscapes
    is a writer, vocalist, sound artist, author of three chapbooks, Ichi-Ban and Ni-Ban (MOH Press), Manuel is destroying my bathroom (Belladonna Press), and the album, Televisíon. Her work has been published in Rattapallax, Black Renaissance Noir, Nocturnes, Spoken Word Revolution Redux, The Black Scholar, P.M.S, Jubilat, Everything But the Burden, and Muck Works to name a few. As a vocalist and poet, she has worked with many artists including Vernon Reid, Akilah Oliver, Mike Ladd, Butch Morris, Gabri Christa, Ali Jackson, Shelley Hirsch, Burnt Sugar, Edwin Torres, Elliot Sharp, Mendi + Keith Obadike, Bernard Lang, Vijay Iyer, Ryuichi Sakamoto, Towa Tei, and Guillermo E. Brown. She has received scholarships, residencies, and fellowships from Cave Canem, Harvestworks Digital Media Arts Center, Naropa Institute, Caldera Arts, New York Foundation for the Arts (2003/2009), the Eben Demarest Trust, Harlem Community Arts Fund, Rockefeller Brothers Foundation, the Barbara Deming Memorial Grant for Women, and Lower Manhattan Cultural Council. As an independent curator and director, LaTasha has curated and produced several events with The Black Rock Coalition Orchestra. A native of Harlem, LaTasha is a 2010 Jerome Foundation Travel and Study recipient.

    Jared Michael Nickerson – Electric Bass
    Born in Cleveland Ohio and raised in Dayton Ohio Jared starting playing bass in high school talent shows as part of the legendary Dayton funk scene which spawned the Ohio Players, Slave, Roger Troutman and Zapp, Sun, Dayton, Steve Arrington’s Hall of Fame, Faze-O and members of Heatwave. As a free lancer Jared has played with The Roots, Marc Anthony Thompson, Catie Curtis, John Paul Bourelly, The Raybeats and Katell Keineg. He has recorded and toured with England’s The The, led by Matt Johnson, Bernie Worrell, Wadada Leo Smith, Freedy Johnston, Vernon Reid (solo) and with The Yohimbe Brothers (Vernon Reid & DJ Logic), Gary Lucas’s Gods and Monsters, and Tammy Faye Starlite and the Angels of Mercy. Jared co-wrote a tune, recorded and toured with blues great Charlie Musselwhite in support of “Sanctuary,” on Peter Gabriel’s Real World label. This CD found itself on numerous critic top ten lists at the end of the year and also received a Grammy nomination for best blues recording in 2004.

    Mazz Swift – Violin & Vocals
    At the age of 12, violinist, composer and singer Mazz Swift made her performance debut at Alice Tully Hall in New York City, performing alongside members of the New York Philharmonic Orchestra. She later attended the Juilliard School of Music and studied with Stephen Clapp. Since leaving in her third year to pursue a more organic approach to music making, she has performed and recorded with artists of all kinds including Perry Farrell, Dee Snider, Moby, Vernon Reid and DJ Logic (The Yohimbe Bros.), William Parker, Whitney Houston, Kanye West, Common and Jay-Z. She is NYC-based, where she divides her time between various collaborative projects and her solo project: MazzMuse. For more info please visit www.MazzMuzik.com.

    About the Detroit Players:

    “The Blackman” – DJ
    DJ and hype man for various musicians, including Kid Rock, Blackman has toured with Too Short, played in the instrumental funk band Soul Clique , is associated with Enemy Squad, and the P-Funk Unit. He runs the Black Hole in Highland Park, Michigan and is an artist and a painter.

    Duminie Deporres – Guitar
    Currently solo artist On Submerge/Electrofunk Recordings, A & R of Electrofunk , works currently with His own band 444 ,Mr De(DAY) Jessica Care Moore and House Legend Theo Parrish. Duminie has played and recorded with such pillars as Public Enemy, George Clinton, the Last Poets and many more. His latest effort is entitled 444.

    Michael Carey – Horn
    Michael Carey has been a creative jazz musician for over 35 years. He has worked musically in the Detroit/ Chicago area since the late seventies with many jazz musicians and groups. Lately, he has been working with Faruq Z. Bey and the Northwoods Improvisors.
    Read more: http://www.myspace.com/tenormadness3#ixzz117yJFlcE

    Djallo Djakate – Drummer
    Music has been Djallo’s inspiration since he was a child.
    “Growing up in Detroit has given me a chance to work with some great musicians. My teaching stems from the many diverse musical genres Detroit has to offer. Everything from, ragtime, be-bop, swing, blues, gospel, rhythm & blues, soul, funk, rock, fusion, reggae, avant-garde, Afro-Cuban, Brazilian, West African, New Orleans, and techno. “
    http://www.myspace.com/djallodjakate

    Joel Peterson – Acoustic Bass
    Composer/musician Joel Peterson has 22 years of experience performing and teaching music. He has programmed music and art in Detroit for 16 years, including over 200 events a year at Bohemian National Home from 2005-2008. Peterson studied double-bass with Detroit Symphony Orchestra Principal Robert Gladstone and Dan Pliskow, as well as guitar with John Denome. He is a founding member of Immigrant Suns, Scavenger Quartet, Lac La Belle, Odu Afrobeat, Xenharmonic Gamelan and BoxDeserter. He has collaborated with Rhys Chatham, Eugene Chadbourne, Damo Suzuki, Faruq Z. Bey, Frank Pahl, Thollem McDonas, Tatsuya Nakatani, Steve Cohn, Amy Denio, Gino Robair, The Violent Femmes and many others.
    www.myspace.com/bohemiannationalhome

    Skeeter Shelton – Saxophone
    Skeeter Shelton started playing saxophone at the age of nine. He studied and graduated from the United States School of Music for the Army, Navy and Marines from 1971 to 1972. He has played alongside many of jazz’s finest including: Joe Tex, Earl White Revue, James Carter, Wendell Harrison , and Hakim Jammi. He is currently a member of the New Day Blues Band, Visitors Band, Conspiracy Wind Ensemble, Street Band, Spectrum II, the 70th Division Army Reserve Band, and the Continental Jazz Sixtet.

  • Savoring the Summer & Looking Forward To The Fall

    Savoring the Summer & Looking Forward To The Fall

    Burnt Sugar had a wonderful Summer with a lovely evening dance fest at Real Art Ways in Hartford Ct. and a seven-day trip to Oporto Portugal to close the 2010 edition of Serrelves Em Festa.

    Here’s the review in the main newspaper:

    Elogio  do Funk
    Elogio do Funk

    The review gives Burnt Sugar background info; says “Make It Funky” (with Bruce Mack conducting) was the best song of the night. Mentions the songs performed and that Burnt Sugar gave a strong homage to the funk and all that it encompasses, giving fresh interpretations to the material, going beyond simply covering or reproducing it, but stretching it beyond the expected by incorporating so many seemingly disarate genres.

    Now that it’s Fall, Burnt Sugar kicks it off (feelin the football reference!) with a week-long residency at the Apollo Theater’s Salon Series where we’ll have a 25-person-crew recreating and mashing James Brown material.  In November we return to Detroit for three days with a stealth crew of Greg Tate, Mazz Swift, Latasha N. Nevada Diggs and Jared MIchael Nickerson; mix in some of the Motor City’s finest including James “Black Man” Harris, Duminie Depores, Skeeter Shelton and Joel Peterson for a musical presentation at The Museum Of Contemporary Detroit on the 5th; trail blazing to Greenpoint Brooklyn’s hot spot Coco 66 on November 19th with the MK Groove Orchestra & Dope Sagittarius; then winding our year down with an always bangin time at the Blue Note on December 4th.  Yes, it’s been good and looks to keep getting better.

    Next January, during the ISPA Conference, Burnt Sugar will supply the soundtrack for “The James Brown Project” directed by Mr. Otis Sallid,” an Apollo Theater-sponsored dance tribute to the music of JB.

    In February, we return to Paris following last year’s two sold out nights presenting the world debut of the theatrical version of Melvin Van Peebles Sweet Sweetback’s Badassss Song” at the Sons D’Hiver Festival.  Burnt Sugar will be returning to Sons D’Hiver hitting two times on the same night highlighting the music of JB & Miles.  Here’s what our peerless leader Greg Tate has to say about that:

    “The musics of Miles Davis and James Brown are really the folk music of modern Black America–indeliibly inscribed on our memory banks from an early age they become, as we grow older, culturally definitive, talismans of music as magic and the necessity thereof. For Black American musicians of a certain generation Miles and James were our  gateways to a more expansive comprehension of music’s many protean forms–Africa, Europe the blues, bebop, rock, funk, soul. One’s musical intelligence quotient can’t help but become stellar when you decipher the extremes and energetic properties that made both of their flames so freaking hot. When Burnt Sugar plays their music the point is never to just honor the notes but to always honor the intensity, the heat, the total mindmelt they both brought to the stage every time.”

    March see us back in the NYC at The Atrium at Lincoln Center for a Target Free Thursday tribute to David Bowie entitled “Burnt Sugar Arkestra Reboots Ziggy and the Berlin Trilogy,” and that’s all in the first three months.  Oh Yes Yes Y’all, the Sugar is starting to flow like that!

  • Sept 25th at 92Y Tribeca NYC, NY

    Starting 2010 with three sold-out previews at Brooklyn’s BRICstudio & two sold-out nights in Paris at the Sons D’Hiver Festival as Melvin Van Peebles’ on-stage band for the theatrical debut of Sweet Sweetback’s Badasssss Song this past February, and preparing to mash-up James Brown’s songbook for the Apollo Theater’s Salon Series later this fall, Burnt Sugar finds itself at  92YTribeca with a chance to do what it does best…. freestyle!

    Some of the players featured in this special session at 92YTribeca include:

    Mikel Banks – conduction – vocals – freak-a-phone  (Jay Z – Roughstars – Marque Gilmore )
    Justice Dilla X – vocals – storytelling
    Derrin Maxwell – mc
    Micah Gaugh – conduction – alto sax ( Arto Lindsay – Laraish Burnett – Apollo Heights)
    Paula Henderson – bari-sax  (Gordon Gano – Gogol Bordello – TV on the Radio – Reverend Vince Anderson – Baja & the Dryed Eye Crew)
    Andre Lassalle – guitar (Dee-Lite – Robert Randolph – Sophia Ramos – Vernon Reid – BRC Orchestra )
    Bruce Mack – keys (Jorge Sylvester – Dean Bowman – Vernon Reid )
    Jared Michael Nickerson – electric bass ( Wadada Leo Smith – The The – Freedy Johnston – Yohimbe Brothers – Charlie Musselwhite )
    Oasim Naqvi – drums (DJ Rekha – The Loos Ensemble – Henry Wolfe – The Tate Liverpool)

  • Burnt Sugar Freaks The JB Songbook, An Opera In Progress

    Burnt Sugar Freaks The JB Songbook, An Opera In Progress

    The Apollo Theater’s Salon Series  TK Presents:
    Burnt Sugar Freaks The JB Songbook, An Opera In Progress

    October 8 & 9, 2010
    7:30pm
    Apollo Theater Soundstage

    Tickets $15.00
    In person at the Apollo Theater Box Office
    By phone call Ticketmaster 1-800-745-3000
    Online at Ticketmaster.com

    Burnt Sugar freaks the JB Songbook
    Burnt Sugar freaks the JB Songbook: An Opera In Progress

    Burnt Sugar will re-orchestrate several medleys taken from James Brown’s three “Live At The Apollo” albums, and re-imagine them in the styles of Brown contemporaries such as Miles Davis, Sun Ra, John Coltrane, Nina Simone, Jimi Hendrix and Chaka Khan.

    The unique program for these performances have been subtitled JB’S FUNKY DIVAS VS THE REVOLUTION OF THE MIND as it will not only feature music made famous by Mr. Brown himself but the productions and compositions he developed for his premiere female vocalists as well–notably Vicki Anderson, Lyn Collins and Marva Whitney.

    Featuring The Burnt Sugar Arkestra
    Special Guests  Imani Uzuri, Brandon Victor Dixon, Shelley Nicole, Luqman Brown, V. Jeffrey Smith  and Tarrah Reynolds

    October 8 & 9, 2010
    7:30pm

    www.apollotheater.org
    www.burntsugarindex.com

    Produced By: Greg Tate and Jared Michael Nickerson
    Directed By: Patricia McGregor
    Written By: Patricia McGregor, Greg Tate &  Nicole A Watson
    Projection Designer: Molly Murphy
    Videographer: Cauleen Smith
    Apollo Theater Foundation Executive Producer : Laura Greer
    Apollo Theater Foundation Director of Production:  Steven R. Jones

    Act 1: Mind Power
    (a/k/a JB’s Original Funky Divas Vs. The Revolution Of The Mind)

    Narration: Brandon Victor Dixon

    Conduction  Greg Tate and Mikel Banks
    Electric Bass  Jared Michael Nickerson
    Drums  Chris Eddleton – Swiss Chris
    Acoustic Bass  Jason Di Matteo
    Trumpet   Lewis “Flip” Barnes Jr.
    Alto Saxophone &  Bass Clarinet  Avrem Fefer
    Tenor Saxophone V. Jeffrey Smith
    Alto Saxophone Micah Gaugh
    Baritone Saxophone  “Moist” Paula Henderson
    Freak-a-Phone  Mikel Banks
    Guitar  Andre Lassalle
    Guitar  Asim Barnes
    Keyboards & Percussion Bruce Mack
    Keyboards  W. Myles Reilly
    Violin Tarrah Reynolds
    Cello Will Martina
    Tambourine, Percussion & Go-Go Dancer Shelley Nicole
    Live Dub Efx  Latasha N. Nevada Diggs

    Featured Vocalists
    Lisala Beatty
    Karma Mayet Johnson
    Imani Uzuri
    Shelley Nicole
    Bruce Mack
    Lewis “Flip”Barnes
    Mikel Banks
    Latasha N. Nevada Diggs
    V. Jeffrey Smith
    Luqman Brown
    Derrin Maxwell

    Featured Actor: Christopher Randolph – Auctioneer
    Dancers: Eddie Brown, and Shantrelle P. Lewis

    Songs  ‘Please Please Please’,  ‘Give It Up Or Turn it Loose’,  ‘Its A Mans Mans World’,  ‘Cold Sweat’ , ‘There Was A Time’,  ‘Licking Stick’,  ‘Say It Loud ( I’m Black And I’m Proud)’,  ‘Down And Out In New York City’,  ‘Escape-ism’,  ‘Get Up Get’ Into It Get Involved’.  ‘Make It Funky’ ‘Hot Pants’,  ‘You’re Welcome/Stop On By’, ‘Think’, ‘Put It On The Line’, ‘Land Of Milk And Honey’,  ‘If You Don’t Work You Don’t Eat’,  ‘Message From A Soul Sister’,  ‘Mama Feel Good’,  ‘I Don’t Want Nobody To Give Me Nothing’ , ‘Rock Me Again’, ‘The Big Payback’,  ‘Living In America’.

    About the Salon Series

    Since 2006, the Salon Series has brought edgy, downtown artists uptown to the Apollo, providing them a space to stretch their creative boundaries and present works-in-progress in/on the Theater’s Soundstage.  The Salon Series is the traditional “Apollo Experience” taken to the next level, providing both emerging and established artists with the space, resources, and feedback to aid in the creation of new work.  This groundbreaking series spotlights the Apollo’s continued dedication to its performing arts programming and its support of artistic experimentation and dialogue in contemporary culture. The series grows out of the Apollo’s ongoing role as an incubator for new and innovative forms of artistic expression, and its 75-year history of nurturing up-and-coming talent.  As with all Apollo Theater programming, the Salon Series recognizes the critical role of the audience in artistic development, and offers artists the opportunity to share new ideas in an intimate setting; with audience members seated no more than ten feet from the performers.
    Past Salon Series events have included works from creator-composer Fred Ho, DJ Spooky, poet Jessica Care Moore, jazz musician Russell Gunn, Craig Harris’ God’s Trombones, and a new theatrical staging of Melvin Van Peebles’ 1971 film Sweet Sweetback’s Badasssss Song.

    About the Apollo

    Burnt-Sugar at The Apollo photo by Laura WilliamsHaving celebrated its 75th anniversary season, the Apollo Theater is one of Harlem’s, New York City’s, and America’s most iconic and enduring cultural institutions.  The Apollo was one of the first theaters in New York, and the country, to fully integrate, welcoming traditionally African-American, Hispanic, and local immigrant populations in the audience, as well as headlining uniquely talented entertainers who found it difficult to gain entrance to other venues of similar size and resources.  Since introducing the first Amateur Night contests in 1934, the Apollo Theater has played a major role in cultivating artists and in the emergence of innovative musical genres including jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop.  Ella Fitzgerald, Sarah Vaughan, Billie Holiday, Sammy Davis, Jr., James Brown, Michael Jackson, Bill Cosby, Gladys Knight, Luther Vandross, D’Angelo, Lauryn Hill, and countless others began their road to stardom on the Apollo’s stage.