Author: Burnt Sugar Arkestra

  • BSAC BRIC Jazz Fest Edition/DJ Spinna/Downtown Brooklyn Partnership/The Plaza @ 300 Ashland

    Burnt Sugar The Arkestra Chamber (BRIC Jazz Festival Edition) Shelley Nicole – Vocals/Conduction ~ Bruce Mack – Vocals/Synthesizer/Conduction ~ Ms. Olithea – Vocals ~ Abby Dobson – Vocals ~ Lewis “Flip” Barnes – Trumpet ~ V. Jeffrey Smith – Soprano/Tenor Sax ~ Avram Fefer – Bari Sax ~ Dave “Smoota” Smith – Trombone ~ Leon “Misha” Gruenbaum – Electric Keys/Samchillian ~ Ben Tyree – Electric Guitar ~ Shawn Banks – Percussion ~ Chris Eddleton – Trap Drums ~ Jared Michael Nickerson – Electric “Bubble” Bass

    Before and after BSAC’s set DJ Spinna will be throwing down on the ones and twos.

    The Downtown Brooklyn Partnership is a not-for-profit local development corporation that serves as the primary champion for Downtown Brooklyn as a world-class business, cultural, educational, residential, and retail destination. Working together with the three Business Improvement Districts (BIDs) that it manages – the MetroTech BID, Fulton Mall Improvement Association, and Court-Livingston-Schermerhorn BID – the Partnership’s diverse activities include attracting new businesses and improving the environment for existing companies, facilitating the construction of public spaces and street scapes that promote an active and cohesive community, supporting and promoting Downtown Brooklyn’s cultural assets, and encouraging a sense of place and an engaged civic community. For more information, visit www.downtownbrooklyn.com

    At the corner of Flatbush and Lafayette, The Plaza at 300 Ashland is Downtown Brooklyn’s newest public space in the heart of the Brooklyn Cultural District. Managed, programmed and maintained by Downtown Brooklyn Partnership, the plaza hosts events as part of the Downtown Brooklyn Presents series, a calendar of programming including film screenings, concerts, theater performances, dance & fitness classes, readings, community gatherings, and more. These events are all free and open to the public, with the goal of serving the community, the Downtown Brooklyn neighborhood, and NYC’s cultural community at large.

    Additional support for programming at the Plaza at 300 Ashland is provided by Two Trees Management Co. and Whole Foods Market.

  • The Court Square Block Party

    The Court Square Block Party

    Poster for The Court Square Block Party

    On June 19, 2022, The Court Square Civic Association and local restaurant M. Wells will host a block party filled with activities for all ages, including live music curated by Steve Shelley and Ernie Brooks, food, drinks, crafts, a pop-up playground, kiddie pools, puppet acts, comedy, vinyl vendors and more. Crescent Street in Long Island City N.Y. will be open and car-free, allowing local residents and visitors space to hang outside, relax and enjoy the day with the community. This event is presented by Sarah M. Wells, the Court Square Civic Association, The QPD Dentist, Kuei Luck Early Childhood Center in LIC, Bridges Eyecare and Insta Vet. Music from 12-7pm by:

    • 75 Dollar Bill Little Big Band (5:30pm)
    • Burnt Sugar The Arkestra Chamber (4pm)
    • L Train Brass Band (3pm)
    • Smokey’s Round-Up featuring Smokey Hormel (Beck, Tom Waits) (2pm)
    • Tape Hiss featuring Ernie Brooks (Modern Lovers), Peter Zummo (Lounge Lizards, Arthur Russell) Steve Shelley (Sonic Youth), Pete Galub + David Nagler. (1pm)

    For public transportation via subway, take the 7, N, or W trains to Queensboro Plaza. You can also take the 7, E, G, or M to Court Square.

  • Burnt Sugar/Danz “Maroons & Suffragettes” – A Greg Tate Tribute at Harlem’s Marcus Garvey Park and Summerstage

    “Gregory Stephen Ionman Tate (1957-2021), was an amazing son, brother, father, grandfather, uncle, nephew, cousin – a family man in the deepest African sense. A proud Harlem resident, he was also an invaluable friend, a generous mentor to many, and a gentle giant of Black radical thought and creativity. Please join us for this major celebration of Greg’s life and works.” – The Tate Family

    Burnt Sugar/Danz was founded in 2002 by writer/musician/conductor Greg Tate and dancer/choreographer/filmmaker Gabri Christa as a radical melding of Christa’s profound relationship to movement and Tate’s equally rigorous approach to music. The collaboration they formed was rooted in the work of Burnt Sugar The Arkestra Chamber, the sprawling band of virtuosos that Tate founded and co-led – a multi-generational ensemble inspired by Butch Morris’ CONDUCTION system for improvising orchestras. Burnt Sugar/Danz, which made its debut at SummerStage in Central Park that same year, draws upon the cream of the crop in New York City’s music, choreographic, and dance-performance talent to create innovative, never-before-seen works, live, and in real time. Adopting Morris’ baton gestures and hand-sign vocabulary to dance, Burnt Sugar/Danz presents an alchemical blend of spontaneously composed music and choreography. This 20th-anniversary celebration, held in tribute to Tate, includes guest appearances by Harriet Tubman, the avant power trio known for its deep fusion of soul, rock, and jazz; the Resistance Revival Chorus, a collective of more than 60 women and non-binary singers; the Bardo Steppers, a deep-funk second-line procession of drums and horns led by bassist Melvin Gibbs; and DJ Reborn, a trailblazing international DJ, sound collage artist, and arts educator, also the resident DJ for Ms. Lauryn Hill’s world tour and the founder of DJs for Justice.

    Programming will kick off at 6:00PM with DJ REBORN and a Bardo Steppers processional.

    Capital One City Parks Foundation SummerStage is one of New York’s most beloved, broadly accessible, free outdoor performing arts festivals. SummerStage presents free concerts in parks throughout the five boroughs. With performances in genres that represent the cultural fabric of New York City ranging from jazz, hip hop, Latin, global, indie and contemporary dance, SummerStage fills a vital niche in New York City’s summer arts festival landscape. Since its inception nearly 40 years ago, more than six million people from New York City and around the world have enjoyed SummerStage.

  • Celebrating Greg Tate: More Than Posthuman: Rise of the Burnt Sugar Arkestra Mojosexual Cotillion

    Celebrating Greg Tate: More Than Posthuman: Rise of the Burnt Sugar Arkestra Mojosexual Cotillion

    Poster for “ Celebrating Greg Tate: More Than Posthuman: Rise of the Burnt Sugar Arkestra Mojosexual Cotillion”

    Gregory Stephen Ionman Tate (1957-2021) was a giant of Black radical thought and creativity, and a conductor of incandescent, community-driven music. Tate’s sudden passing in December 2021 was a blow to his many loved ones, friends, collaborators, and admirers around the globe.

    Tate’s body of writing as an influential critic would be enough to enshrine him as a cultural icon, but he is equally important to a generation of musicians as both the co-founder of the Black Rock Coalition, a national nonprofit organization dedicated to the complete creative freedom of Black artists; and the creator of Burnt Sugar The Arkestra Chamber, a sprawling, omnivorous, and outrageously accomplished improv collective. Under his co-leadership, BSAC has issued more than 20 releases in its two-decade-plus history, featuring a cavalcade of virtuoso musicians.

    For this homecoming concert, curated and presented with The Tate Family at one of his favorite venues, more than thirty BSAC members will perform in celebration and tribute to one of the most essential voices in the history of 21st Century Avant Groidd music and thought.

    Liza Jessie Peterson – MC, Freedome Bradley – MC, Pastor Kaji Dousa – MC

    Vernon Reid – Conduction, Lisala Beatty – Vocals, Shelley Nicole – Vocals & Conduction, Bruce Mack – Vocals/Synthesizer & Conduction, Karma Mayet – Vocals, Abby Dobson – Vocals, Sequoyah Murray – Vocals, Shariff Simmons – Vocals, Simi Stone – Violin, Satch Hoyt – Flute & Percussion, Lewis “Flip” Barnes – Trumpet, JS Williams – Trumpet, Avram Fefer – Soprano Sax, V. Jeffrey Smith – Tenor Sax, “Moist” Paula Henderson – Bari Sax, Dave “Smoota” Smith – Trombone, Leon Gruenbaum – Keyboards & Samchillian, Ben Tyree – Electric Guitar, Andre Lassalle – Electric Guitar, Jason DiMatteo – Acoustic Bass, Shawn Banks – Congas, LaFrae Sci – Trap Drums & Electronics, Marque Gilmore tha’ Inna•Most – Trap Drums & Electronics, Jared Michael Nickerson – Electric Bass & Conduction

    Bill Toles – BSAC Media Design, LaRonda Davis – BSAC Stage Crew, Ginny Suss – BSAC Stage Crew.


    Poster art – Amy Gail. Created with photos by Nisha Sondhe, Laura Williams, Daryl Tillman, Ginny Suss, Simone  Cassas, & Sachyn Mital.


    Lincoln Center’s Summer For the City Festival (May 14th – August 14th) Health & Safety Notice (April 2022)

    “At this time, face coverings and proof of COVID-19 vaccination will not be required; however, face coverings are welcome and we encourage everyone to complete their primary vaccination series and get boosted before attending. 

    These protocols are subject to change in accordance with any updates to city and state guidelines, rules and regulations, and other health and safety recommendations from our medical and public health advisors.

    Guests of all ages are welcome to attend. 

    Please stay home if you do not feel well. If you have come in contact recently with someone who has tested positive or you have recently tested positive, please refer to the  latest CDC guidelines for isolation, quarantine and masking recommendations.

    Lead Support for Summer for the City Community Programming is provided by Stavros Niarchos Foundation (SNF)

    Presenting support for Summer for the City is provided by SK Group 

    Major support for Summer for the City is provided by the Mellon Foundation, the LuEsther Mertz Charitable Trust, and First Republic Bank 

    Additional support is provided by Chanel, the Ford Foundation, the Shubert Foundation, Amazon, the Scully Peretsman Foundation, and Lincoln Center’s 21/22 Donors and Members 

    Endowment support is provided by the Blavatnik Family Foundation Fund for Dance, The Marie-Josée and Henry R. Kravis Foundation, Oak Foundation, PepsiCo Foundation, and Rockefeller Brothers Fund 

    NewYork-Presbyterian is the Official Hospital of Lincoln Center 

    United is the Official Airline of Lincoln Center  

  • Bringing The Burnt Sugar 🔥 to Carnegie Hall’s Afrofuturism Festival

    Bringing The Burnt Sugar 🔥 to Carnegie Hall’s Afrofuturism Festival

    Flyer for Burnt Sugar the Arkestra Chamber’s April 3, 2022 performance at Carnegie Hall

    Burnt Sugar is honored to be making our Carnegie Hall debut as a part of the inaugural Afrofuturism Festival.

    This performance will be the culmination of a one-of-a-kind workshop for six rising musicians who will be featured alongside our ever-changing band that prides itself on “never playing anything the same way once.”

    Sunday, April 3, 2022
    7:30 PM Zankel Hall @ Carnegie Hall NYC
    Seventh Avenue between 56th and 57th streets

    Burnt Sugar Arkestra (Carnegie Hall Edition)

    Shelley Nicole, Vocals, Percussion and Conduction
    Lisala Beatty, Vocals 
    Sequoyah Murray, Vocals 
    Bruce Mack, Vocals and Synthesizer
    Julia Kent, Cello 
    JS Williams, Trumpet 
    Lewis “Flip” Barnes, Trumpet
    V. Jeffrey Smith, Saxophones
    Avram Fefer, Saxophones
    Dave “Smoota” Smith, Trombone
    Leon Gruenbaum, Piano and Samchillian
    Ben Tyree, Electric Guitar 
    Keith Witty, Bass 
    LaFrae Sci, Trap Drums, Electronics and Conduction
    Marque Gilmore tha’ Inna•Most, Trap Drums, Electronics and Conduction 
    Jared Michael Nickerson, Electric Bass and Conduction
    + Special Guest

    Workshop Participants

    Lauren Hayes, Harp
    Miss Olithea, Vocals
    Julian Terrell Otis, Vocals
    Jose F. Solares, Saxophones
    Oliver Tuttle, Trombone

  • Lifes, Hammer’s Covid Policy and On-site Parking

    Lifes, Hammer’s Covid Policy and On-site Parking

    Flyer for "Cosmic Riddem, Esoteric Rambunction & Eclectic Blue Cheer"

    Lifes is a curatorial assemblage, an exercise in synthesis, a composite being, a living software, a durational sequence, a cacophony of intentions, a misunderstanding, a text that dances, an extended conversation, a voice in ruin, a mapping of relations, a lean into the future. Initiated by four commissioned texts and including contributions from more than fifty individuals from various creative fields, Lifes considers the legacy of the so-called total work of art and the possibilities and pitfalls of interdisciplinary art-making.

    Contributors:
    Fahim Amir, Holland Andrews, Elke Auer, Gregory Barnett, Kevin Beasley, Nina Beier, Dwayne Brown, Dora Budor, Burnt Sugar the Arkestra Chamber, Varinia Canto Vila, Elaine Carberry, Sophia Cleary, Kaydence De Mere, L. Frank, Kaye Freeman, Shannon Funchess, Charles Gaines, Ley Gambucci, Abriel Gardner, Piero Gilardi, Jules Gimbrone, Paul Hamilton, Asher Hartman, IONE, Shannon Jackson, Cooper Jacoby, Narissa Johnson, Rindon Johnson, Darrell Jones, Morag Keil, Justin F. Kennedy, Jessika Kenney, Hanieh Khatibi, Bob Kil, Kite, Wayne Koestenbaum, Ralph Lemon, Adam Linder, Tiffany Malakooti, Alucard Mendoza McHaney, Olivia Mole, Roderick Murray, Mariama Noguera-Devers, Nima Nourizadeh, Okwui Okpokwasili, Pauline Oliveros, Aubrey Plaza, Senyawa, Adania Shibli, Micah Silver, Samita Sinha, Meg Stuart, Greg Tate, Mike Taylor, Rosemarie Trockel, Andros Zins-Browne.

    Lifes is organized by Aram Moshayedi, Robert Soros Curator, along with curatorial assistant Nicholas Barlow.

    Major support for Lifes is provided by Chara Schreyer and Gordon Freund with generous funding from Christine Meleo Bernstein and Armyan Bernstein, the Danielson Foundation, Karyn Kohl and Silas Dilworth, Leslie and Bill McMorrow, Susan Bay Nimoy and Leonard Nimoy, Mark Sandelson and Nirvana Bravo, Jiwon and Steven Song, and Darren Star. Additional support is provided by Sarah Arison, the Danish Arts Foundation, Jeffrey Deitch, the Knox Foundation, the Korea Foundation, Maurice Marciano Family Foundation, Marla and Jeffrey Michaels, Graham Steele and Ulysses de Santi, Ben Weyerhaeuser, Ann Soh Woods, and an anonymous donor.

    Per Los Angeles City ordinance, proof of COVID-19 full vaccination and valid photo ID is required upon entry into the Hammer Museum. Read the Hammer’s full COVID-19 safety guidelines at their website.

    Parking is available under the museum. Rates are $7 for the first three hours with museum validation, and $3 for each additional 20 minutes, with a $20 daily maximum. There is a $7 flat rate after 6 p.m. on weekdays, and all day on weekends.