Sweet Sweetback’s Baadasssss Song (the Hood Opera)

The unfor­get­table Melvin Van Pee­bles’ movie Sweet Sweetback’s Baadasssss Song (1971) is an iconic work of Afro-American cin­ema and the begin­nings of Blax­ploita­tion. It was one the biggest suc­cesses in the inde­pen­dent film-making and still has a huge influ­ence over the hip-hop cul­ture. Melvin Van Pee­bles’ own com­po­si­tions really deter­mine the action by invent­ing some­thing com­pletely new, a funky cin­ema, thick, sweaty, and panting.

The free­dom of speech and coarse­ness of some scenes, strongly con­trast with Hollywood’s puri­tanism as well as the way he shows the Afro-American com­mu­nity from the inside. The sex­ual exploits of the hero, his run­away to Mex­ico with the police on his trail, the cease­less race on the verge of exhaus­tion of this man, still stand­ing up, always at odds with soci­ety; the whole story com­poses a sig­nif­i­cant metaphor of Back men dif­fi­cul­ties in the Amer­i­can soci­ety of that time.

The film becomes now an opera, and a world pre­miere for Sons d’hiver fes­ti­val, led by Melvin Van Pee­bles him­self! Greg Tate and Burnt Sugar the Arkestra Cham­ber pro­vide the musi­cal part. As a mat­ter of fact, the idea is not to replay the orig­i­nal but to adapt this unique work for the stage in a con­tem­po­rary way. Co-founder of the Black Rock Coali­tion, Greg Tate and his Burnt Sugar Arkestra seems the per­fect ensem­ble to take up the chal­lenge, car­ry­ing on the her­itage of a cer­tain Black music from Duke Elling­ton to the Art Ensem­ble of Chicago to Funkadelic and Sun Ra.

Sweet Sweetback’s Baadasssss Song (the Hood Opera) is a musi­cal adap­ta­tion writ­ten,  com­posed and directed by Mr. Van Pee­bles: devel­oped in res­i­dence at The Apollo The­ater Salon Series, Harlem NY and at BRIC Arts | Media | Bklyn, Brook­lyn, NY.  The pro­duc­tion will have it’s world pre­miere at the Sons d’hiver Fes­ti­val in Paris, France at Mai­son des Arts on Fri­day, Feb­ru­ary 19th & Sat­ur­day, Feb­ru­ary 20th, 2010 pro­cured by Jared Michael Nick­er­son for Burnt Sugar Index LLC.

Best known as the “God­fa­ther of inde­pen­dent film and mod­ern black cin­ema,” Melvin Van Pee­bles has also dis­tin­guished him­self in an impres­sive list of other aspects of the enter­tain­ment indus­try – as a direc­tor, pro­ducer, writer, and com­poser.  He is an Emmy award-winner and has received two NAACP Awards in addi­tion to three Grammy nom­i­na­tions and eleven Tony nom­i­na­tions.  He pub­lished five nov­els in French, one of which became the basis of his first fea­ture, a French film enti­tled, La Per­mis­sion” (The Story of A Three Day Pass), which won the Critic’s Choice Award at the 1967 San Fran­cisco Film Fes­ti­val.  He became the first black direc­tor to shoot a film in Hol­ly­wood with his film Water­man Man and he used the money he earned from this project to finance his next fea­ture, Sweet Sweetback’s Baadasssss Song. He later went on to write and com­pose two Tony Award-nominated Broad­way musi­cals, Ain’t Sup­posed to Die a Nat­ural Death and Don’t Play Us Cheap.  In tele­vi­sion, Van Pee­bles wrote the screen­play for a CBS movie pilot Just an Old Sweet Song (1976) fol­lowed by the sequel Down Home.  He wrote and acted in Sophis­ti­cated Gents and also wrote the Emmy award-winning after school spe­cial, The Day They Came to Arrest the Book.  Most recently he starred in his off-Broadway show, Unmit­i­gated Truth (Life, a Lava­tory, Loves & Ladies), directed and starred in the film Con­fes­sions of a Ex-Doofus Intchy Footed Mutha, and was also awarded the pres­ti­gious French Legion of Honor.

Writ­ten and Directed by Melvin Van Pee­bles
Fea­tur­ing the Hood Opera Cast and Burnt Sugar the Arkestra Chamber

Alfred Preisser            Cre­ative Con­sul­tant to the Direc­tor
Jared Nick­er­son        Gen­eral Man­ager
Grier Cole­man            Wardrobe Super­vi­sor
Kim­berly Glen­non        Wardrobe Coor­di­na­tor
LaRonda Davis            Com­pany Man­ager
Naima Ince            Director’s Assistant

Cast
(in alpha­bet­i­cal order)

Chelsea Adewunmi
Roger Binette
Alex Dittmer
Jef­fery Glaser
Jere­miah Grif­fen
Tracy Jack  — Chore­o­g­ra­pher
Karma Mayet John­son
Der­rin Maxwell
Kim­ber­lee Mon­roe
Jacque­line Thuener-Rego
Lelund Durond Thomp­son
Gillian Wig­gin
Reji­nald Woods

Burnt Sugar the Arkestra Cham­ber — Sweet­back Edi­tion
(in alpha­bet­i­cal order)

Lewis “Flip” Barnes Jr.         Trum­pet
Mikel Banks             Har­mon­ica, Flute and Freak-A-Phone
Jason DiMat­teo             Acoustic Bass
Christo­pher Eddle­ton         Drums
Avram Fefer             Tenor Sax
Micah Gaugh             Alto Sax
“Moist” Paula Hen­der­son     Bari­tone Sax
Andre Las­salle             Gui­tar
Bruce Mack             Key­boards
William Mar­tina         Cello
Jared Michael Nick­er­son     Elec­tric Bass
David Smith             Trom­bone
Mazz Swift             Elec­tric Vio­lin
Gre­gory S. Tate         Musi­cal Direc­tor, Guitar

www.sonsdhiver.org

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