Thanks to the efforts of our amazing French hosts at Sons D’Hiver & Arte Live Web — we’re happy to invite you to join us for the second night of “Sweet Sweetback’s Baadaass Song: A Hood Opera” Saturday, February 20, 2010. 8:30 pm Paris time — 2:30pm Eastern Standard time!
Sweet Sweetback’s Baadaass Song — Streaming Live from Paris!!
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Sweetback Caught in the Act on Brooklyn Independent Television
Many thanks and a HUGE shout out to Brooklyn Independent Television, a community media program of BRIC Arts | Media | Bklyn !
Check them out here
Posted in Featured, Sweet Sweetback's Baadasss Song; A Hood Opera, news Tagged BRIC, Melvin Van Peebles, Sweet Sweetback's Baddass Song Comments closed
Ben Sisario profiles Melvin Van Peebles at The NY Times
“ASK Melvin Van Peebles about his legacy, and you get a snort, a grimace, a wave of the hand, a game-show error buzz and a finely punctuated “come on.” “I didn’t even know I had a legacy,” he said between rehearsals for his latest project, a musical-theater adaptation of his 1971 film “Sweet Sweetback’s Baadasssss Song.” “I do what I want to do.”
The story includes audio excerpts of the interview.
Check it out here at NY Times Online
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Sweet Sweetback’s Baadasssss Song (the Hood Opera)
The unforgettable Melvin Van Peebles’ movie Sweet Sweetback’s Baadasssss Song (1971) is an iconic work of Afro-American cinema and the beginnings of Blaxploitation. It was one the biggest successes in the independent film-making and still has a huge influence over the hip-hop culture. Melvin Van Peebles’ own compositions really determine the action by inventing something completely new, a funky cinema, thick, sweaty, and panting.
The freedom of speech and coarseness of some scenes, strongly contrast with Hollywood’s puritanism as well as the way he shows the Afro-American community from the inside. The sexual exploits of the hero, his runaway to Mexico with the police on his trail, the ceaseless race on the verge of exhaustion of this man, still standing up, always at odds with society; the whole story composes a significant metaphor of Back men difficulties in the American society of that time.
The film becomes now an opera, and a world premiere for Sons d’hiver festival, led by Melvin Van Peebles himself! Greg Tate and Burnt Sugar the Arkestra Chamber provide the musical part. As a matter of fact, the idea is not to replay the original but to adapt this unique work for the stage in a contemporary way. Co-founder of the Black Rock Coalition, Greg Tate and his Burnt Sugar Arkestra seems the perfect ensemble to take up the challenge, carrying on the heritage of a certain Black music from Duke Ellington to the Art Ensemble of Chicago to Funkadelic and Sun Ra.
Sweet Sweetback’s Baadasssss Song (the Hood Opera) is a musical adaptation written, composed and directed by Mr. Van Peebles: developed in residence at The Apollo Theater Salon Series, Harlem NY and at BRIC Arts | Media | Bklyn, Brooklyn, NY. The production will have it’s world premiere at the Sons d’hiver Festival in Paris, France at Maison des Arts on Friday, February 19th & Saturday, February 20th, 2010 procured by Jared Michael Nickerson for Burnt Sugar Index LLC.
Best known as the “Godfather of independent film and modern black cinema,” Melvin Van Peebles has also distinguished himself in an impressive list of other aspects of the entertainment industry – as a director, producer, writer, and composer. He is an Emmy award-winner and has received two NAACP Awards in addition to three Grammy nominations and eleven Tony nominations. He published five novels in French, one of which became the basis of his first feature, a French film entitled, La Permission” (The Story of A Three Day Pass), which won the Critic’s Choice Award at the 1967 San Francisco Film Festival. He became the first black director to shoot a film in Hollywood with his film Waterman Man and he used the money he earned from this project to finance his next feature, Sweet Sweetback’s Baadasssss Song. He later went on to write and compose two Tony Award-nominated Broadway musicals, Ain’t Supposed to Die a Natural Death and Don’t Play Us Cheap. In television, Van Peebles wrote the screenplay for a CBS movie pilot Just an Old Sweet Song (1976) followed by the sequel Down Home. He wrote and acted in Sophisticated Gents and also wrote the Emmy award-winning after school special, The Day They Came to Arrest the Book. Most recently he starred in his off-Broadway show, Unmitigated Truth (Life, a Lavatory, Loves & Ladies), directed and starred in the film Confessions of a Ex-Doofus Intchy Footed Mutha, and was also awarded the prestigious French Legion of Honor.
Written and Directed by Melvin Van Peebles
Featuring the Hood Opera Cast and Burnt Sugar the Arkestra Chamber
Alfred Preisser Creative Consultant to the Director
Jared Nickerson General Manager
Grier Coleman Wardrobe Supervisor
Kimberly Glennon Wardrobe Coordinator
LaRonda Davis Company Manager
Naima Ince Director’s Assistant
Cast
(in alphabetical order)
Chelsea Adewunmi
Roger Binette
Alex Dittmer
Jeffery Glaser
Jeremiah Griffen
Tracy Jack — Choreographer
Karma Mayet Johnson
Derrin Maxwell
Kimberlee Monroe
Jacqueline Thuener-Rego
Lelund Durond Thompson
Gillian Wiggin
Rejinald Woods
Burnt Sugar the Arkestra Chamber — Sweetback Edition
(in alphabetical order)
Lewis “Flip” Barnes Jr. Trumpet
Mikel Banks Harmonica, Flute and Freak-A-Phone
Jason DiMatteo Acoustic Bass
Christopher Eddleton Drums
Avram Fefer Tenor Sax
Micah Gaugh Alto Sax
“Moist” Paula Henderson Baritone Sax
Andre Lassalle Guitar
Bruce Mack Keyboards
William Martina Cello
Jared Michael Nickerson Electric Bass
David Smith Trombone
Mazz Swift Electric Violin
Gregory S. Tate Musical Director, Guitar
Related show
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Happy 2010 to all the love warriors
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THE 10TH ANNIVERSARY CELEBRATION CONTINUES!
Burnt Sugar the Arkestra Chamber brings our genre-bending live show to York College’s Performing Art Center in Queens on Friday, November 13th & The World Famous Blue Note in Manhattan on Monday, November 16th.
Witness the next step in the evolution of The Arkestra Chamber as “Pass the Baton” makes its NYC area debut at York College’s Performing Art Center on Friday, November 13.
Road tested (and Burnt Sugar approved) in Chicago, Philadelphia and Wilmington, Delaware; “Pass the Baton” is Greg Tate’s latest Burnt Sugar brain-child. With the pass of a baton, Conduction duties are shared between members of the band. The result is a dynamic multi flavored performance as each conductor adds their flavor to the pot.
During this performance, the baton will be passed between Lewis “Flip” Barnes, Karma Mayet Johnson, Micah Gaugh and Mikel Banks.
We hope you’ll come out both nights and experience the groovacious funk-a-fied versatility of the Arkestra Chamber. — As it’s been said, Burnt Sugar never plays a song the same way once.
With the Autumn weather chill in full effect (and our last Manhattan show being on the sold-out tip), we advise you to buy your tickets in advance and walk right though the door.
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Brooklyn and beyond!
What’s up y’all, it’s fall and as the squirrels know, have to have those chestnuts poppin.
Burnt Sugar has been blessed with upcoming hits at the Dywer Cultural Center in Harlem; York College in Queens; the Blue Note in Manhattan, whew!
The new year blazes in with a January Joe’s Pub hit with a Sweetback guest; followed by two work-in progress showings at BRIC Studio in February; topped off with a trip to Paris for the world-debut as Burnt Sugar the Arkestra Chamber becomes the 23rd-century Earth Wind & Fire up in here!
And that leads up to what we are up to this coming Sunday and Monday!!.…
SUNDAY(10/18):
Join us for A Bashir Project feat live performances by Jamila Raegan, Burnt Sugar, and DJ WAJEED
A Bashir Project is the launch of a FUNdraising campaign for Bashir Oliver, a child with multiple disabilities, including Autism. Spear headed and supported by allied communities of artists and activists invested in the future of this beautiful boy. Proceeds from this event will be used to assist payment of Bashir’s education, medical necessities, and special needs not met by the Department of Education or Medicaid.
Date: Sunday, October 18th 2009
Doors: 7:00pm — (show starts ’round 8pm)
Venue: Littlefield Performance & Art Space
www.littlefieldnyc.com
Brook lyn NYC, NY
Address: 622 Degraw Street (between 3rd and 4th Avenue –in the Gowanus).
venue phone: 781–855‑3388
Admis sion: $7.00
all ages
Advanced tickets: here
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MONDAY (10/19):
Interactive Cell-Structure Sessions feat Marque Gilmore, Mikel Banks, Greg Tate, Burnt Sugar
PRESENTED BY Marque Gilmore & DRUM FM
From the Cre ator of the World’s 1st Inter active Live Jungle/DnB Club comes “Interactive Cell-Structure Sessions” featuring Marque Gilmore the inna-most (BK/UK) and Mikel Banks da “Spirit-Hood” (Dust bin Broth ers). With special guests Greg Tate + members of Burnt Sugar & surprise 12th Planet Funkateers! A sonic exploration into the sub-atomic structure of reality and Funque… A full-spectrum Ancestral analysis of Black-Electric progression in a DRUM-FM “Interactive Tribalistic Session”.
(Big ups and welcome back to Marque Gilmore, our brother from Brooklyn & Stockholm, London and South East UK)
Date: Mon day, October 19th 2009
Doors: 7:00pm (show starts ’round 8pm)
Venue: Littlefield Performance & Art Space
www.littlefieldnyc.com
City: Brook lyn NYC, NY
Address: 622 Degraw Street (between 3rd and 4th Avenue –in the Gowanus).
Venue phone: 781–855‑3388
Admis sion: $10.00
Age restric tions: 21+
Advanced tickets here
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Terri’s Music Blog - Tuesday, August 25, 2009 — Burnt Sugar @ Joe’s Pub 8/22/09
“I walked up at 9:30 (showtime) and bought a ticket. The band was still getting situated and didn’t start until about 9:45 — 9:50. There were so many of them, something like 17–20 musicians. The 2 keyboards had to be on the floor, by the stage. There was a segment when the trombone player was standing offstage, behind the curtain, and playing the trombone through the curtain, effectively onstage. That’s how crowded it was up there.
And it was off the hook. From start to finish, fabulous. It was tight in the crowd, too. I didn’t know if I was going to be able to stay at first. I was feeling claustrophobic. They shouldn’t have had the stools at the bar. But once the music started, there was no prying me out of there. It was incredible. That huge ensemble really put it out until they had to get off the stage at 11. I have to make a point of seeing them more often. That’s how I left, wanting more, more, more.“
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It got hot ‘up norf’
The swift blaze of a hot fire is a rare thing “up norf” on the shores of Lake Ontario. But it did get a little warm during Burnt Sugar’s visit to Harbour Front in Toronto… and not just from the combustible concoction the Suga’ people cooked up… but from bright-sunny days, upper 70’s weather-uncharacteristically still going strong at the end of the north’s summer (which is known to flip into the next season with only a day’s notice after the official change date), a Hot & Spicy Food Festival, the Rebirth Brass Band and the great Irma Thomas sounding like she’s still 25 years old, all within a hundred yards from one another, day in and day out to boot!
What more can a musician ask for on a gig than good food, good music and respect? The crew this ’round was Greg Tate, Trevor Holder, Jared Nickerson, Moist Paula Henderson, Mazz Swift, Dave Smith, Ben Tyree, Yours Truly… and our lovely road manager — LaRonda Davis.
The respect of Burnt Sugar weighed nothing against the honor of corn! I thought there was a shortage of corn in Canada the way folk lined up for roasted corn on the cob and corn soup at a vendor near our tent. I mentioned to several people how I would have parboiled them jokers, threw some spice on then put them over some hardwood charcoal for a grill-finish… whew-buddy!
But of course it would have not been the same and that is why I would not have had the line my brethren did at their spot… the connoisseur knew better… and more power to the vendors who did as well!
Other than that, it was Burnt Sugar in the morning (workshop) and Burnt Sugar in the evening (kickin’ it live and off the top of the dome) in the Brigantine Room.
We had a good ol’ time and musical experimentation was at a high other than the moment we slipped into “Shake Your Body Down (To the Ground)” 2-thirds into the hour & 1/2 set the 1st night we played in Toronto and our conductor, Mr. Greg Tate even put a spin on that, having violinist Mazz Swift riff on the string parts and sing only part of the lyrics after he, for 5 minutes or so teased the audience with various Michael Jackson samples on his laptop segued by some romantic piano passages totally unrelated to MJ’s music. BRILLIANT! There’s a lot to be said about building ideas on a regular stage in the same room under the conditions previously mentioned.…(even though it was only 2 nights).
The challenge becomes that of the audience and familiarity could never breed contempt amongst Burnt Sugar people… and I say that with love for our audience. So yes, it was fresh every time we hit the stage and hopefully we inspired a few souls! Oh, did I mention we held workshops also? The workshops were a joy too! It went something like this: A few musicians got word we were doing workshops “up norf” in the early afternoon of Sunday and Monday, and joined us at the bay.
There was a mandolinist, a bassoonist, a Gu zhenge (Chinese zither) player, a percussionist/keyboardist and a vocalist. Greg invited them on stage along with their instruments to help us create a brew for the teaching…, then he broke down the science of conduction while the audience listened… the band displayed some musical ideas that Greg began to shape with his baton and there we were with a new configuration of sound! Now, there was no way we were leaving that happy-smiling audience of love out of the fun on this beautiful afternoon!
This was our chance to create a small city of northern cacophony caramelized by the “Sugar… So Greg granted me the baton and I took the pleasure of including and facilitating the surrounding audience in Burnt Sugar madness… I indoctrinated them into the band through a brief explanation of what we are, the elements we draw from (by having the band play several styles of music in the purest form possible) and how they could add, subtract and apply themselves to this mad math called Conduction! I got them chanting, singing, doing call & response, yelling, beat-boxing, you name it…! Cued them in and out, played with the space Greg and the band created and sweat like crazy!
As you can imagine, kids are brave but initially shy… so when they open up they often express themselves with the all encompassing SCREAM!!! I heard that portion was a bit unbearable for some band members… and I’ll take the blame for that… next time I’ll pull back on that mic… sorry guys. Like John Lee Hooker said: “they got to get it out”. After a few moments, several adults in the crowd began to raise their hands to get my attention so they could spew some new found ideas in the microphone I was holding… one cat blew some sweet notes into a bottle and there was this little girl who walked and ran with me because she kept coming up with ideas and was loving the rhythm of the band! She was great!
Oh yeah baby, hot fun at the end of summertime is what it was! Folks laid out on the grass with their kids crawling on them, trying to sing with mouths full of veggie hot dogs dripping condiments in their laps, kids trying to scat but end up spitting into the mic, I move to the next inspired individual who wants the mic… so I wipe it on my shirt under my arm because I know they just saw that other kid spit all over it…, meantime, some mysterious lady from somewhere in the caribbean has been holding her hand out for the mic because she has a musical idea she wants to share with the world… yeah, they were carmelizin’ in the sun on the most magnificent astro turf that side of the NFL has ever seen! If I may say so, I think we sort-a set things off on Sunday and Monday!
The festival itself drew love… I never saw a festival with so many couples and families all hugged up, no drama and enjoying the music like this… They could’ve called this the Hot & Spicy Love Festival! Right on to the festival organizers at the Harbour Front in Toronto! You made it lovely!
I must admit, I am a fan of the northern climate and I wonder if there are others in my family who like it “up norf”…I ask because they’re from the south… Lol! Oh well, I love it! What can I say!? When we trek north I get all warm inside! I grew up in New York City and I guess I’m one who feels I must practice life in the harshest conditions to enjoy life in the (deceptively) mildest. Can you complete this compound word — BULL…!? I just want the freshest trout I can get my hands on, a view of a great lake or ocean which offers a sense of freedom and the feeling that nature is on my side! So, yeah, baby! I get caramelized up north, Burnt Sugar style.
- B. Mack
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Welcome to our new site
We’re just moving in — things may feel a bit rough around the edges — but we’re jumping in.
Keep coming back over the next few days as we unpack.
(Be sure to subscribe to our RSS feed for updates)
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March 2009 “Making Love to the Dark Ages
Well it’s d-day y’all as the Sugar drops it’s first all-studio release in five years on LiveWired/TruGROID. It doesn’t seem that long but that’s what happens with a band that has twenty-minute segues. In other words… time flies by when your making extended-jammy music. Ya heard!!
The reviews are starting to happen and we wanted to give you a taste of what the critics have to say. If you’re already a fan, we love you for it, if you are new to the sugar-express, hopefully these critical tidbits will whet your appetite, lead you to your favorite music retailer for a taste of the Arkestra Chamber.
On the live tip, it’s been a minute there too, so let’s get this party started at our next hit at the World Famous Blue Note in Manhattan ( 131 West 4th Street off of Sixth Avenue — for reservations call 212–475-8592 ) on March 27th for their Late Night Groove series. Cost is agreeable, and doors open at 11:30pm with showtime at 12:30am and believe me.… after a minute of silence Greg and the band will have plenty to say.
BlogCritics Online Magazine
Written by Richard Marcus
Published March 15, 2009
“Jazz and improvisation have gone together like bread and butter since the first player stepped out to blow a lead. There is something about the music that just lends itself to allowing musicians the freedom to explore all a piece of music has to offer. However, it’s jazz’s free-form nature which seems to have worked against its integration with orchestral works. Although modern composers have drawn upon many other elements of contemporary music and technologies, orchestral and jazz haven’t seemed to be able to find the comfort zone where they can blend easily…”
read the entire piece here
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DOWNBEAT Magazine
April, 200
by Bill Shoemaker
Burnt Sugar the Arkestra Chamber
Making Love To The Dark Ages
LIVEWIRED MUSIC 1002
***1/2 stars
Triangulating Afro-futurism and Butch Morris’ conduction cue lexicon is a heady proposition on paper, but Burnt Sugar’s ringleader Greg Tate’s approach yields fluid, funk-fortified music. While there are moments that flash with antecedents–
usually located somewhere in the mid– ‘70s, but reaching occasionally as far back as the ‘40s-Burnt Sugar has it’s own sound. there’s a cadre of horn players who cover the post-Ornette Coleman waterfront with ease ( including Matana Roberts and Avram Fefer ), rhythm sections who can lock into a groove but also suddenly pivot, and a sufficient array of textures ( some emanating from Tate’s laptop ) and searing walk-ons by Vijay Iyer and Vernon Reid that morph the ensemble sound from track to track.
Burnt Sugar is at it’s elastic best during extended work-outs like the second section of “Chains and Water,” “Thorazine/81″ and the title piece. However some of the album’s high points occur in the more tightly scripted pieces like the first part of “Chains and Water,” a throbbing, harmonica-laced holler featuring Lisala, a compelling singer. But there are also a few miscues in the more structured passages. In the boppish tag that concludes “Chains And Water,” Lewis Barnes’ trumpet is fractured by a psychedelic mix. A synthesized ostinato threatens to stifle the album-ending title piece, but violinist Mazz Swift prevails with a synthesis of Leroy Jenkins and Papa John Creach, making a lasting impression.”
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March 2009 issue of JazzTimes
Burnt Sugar the Arkestra Chamber
Making Love to the Dark Ages
LiveWired
By Steve Greenlee
“Tate works with a huge array of musicians on Making Love to the Dark Ages, and he knows how to use them. Trumpeter Lewis “Flip” Barnes Jr. turns in a solo on “Chains and Water” that grows more and more discordant before the tune takes on a hip-hop bent that becomes an all-out jam in the long middle section—which, in turn, leads into a brief final section of Ellington-inspired swing. (Whew.)
More wildness ensues: The heavy romp of “Thorazine/81” teeters at the edge of chaos for much of its nine-and-a-half minutes, and an unusual cross of hip-hop and free-jazz-style soloing (from bass clarinet, no less) threatens to create a new species of music on “Love to Tical.” Then Tate goes further afield, using his laptop to create a rhythm of blips and beeps on the ballad “Dominata” and a backdrop of noises on the 18-minute title track. And what a tune: Mysterious, tense, and dramatic, it builds toward several highlights, including a fantastic solo from baritone saxophonist “Moist” Paula Henderson.”
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March 2009 issue of JazzTimes
Greg Tate’s Burnt Sugar the Arkestra Chamber: Paint the Sky Red
By Bill Milkowski
“On Making Love to the Dark Ages (LiveWired), the latest recording by Burnt Sugar the Arkestra Chamber, Tate wields a baton along with a laptop and occasionally his trusty guitar. The results range from his expansive meditation on slavery, “Chains and Water,” full of free-blowing conversations between the horns and soulful vocals supplied by dynamic singer Lisala, to the electric Miles-ish groover “Love to Tical,” to the dreamlike, ambient, Eno-meets-Teo soundscape “Dominata,” which incorporates his audacious laptop experiments, to an intriguing mashup of Tate’s funky “Thorazine” with the Ron Carter-Miles Davis composition “Eighty-One” (from E.S.P.).
Tate’s ensemble comprises such high-caliber players as keyboardist Vijay Iyer, bassist Jared Nickerson, trumpeter Lewis “Flip” Barnes, alto saxophonists Matana Roberts and Avram Fefer, baritone saxophonist Paula Henderson, guitarists Ben Tyree and Rene Akan and vocalists Lisala, Karma Johnson, Abby Dobson and Justice Dilla X. Special guest guitarist Vernon Reid explodes with ferocious metal-esque abandon on “Love to Tical.” Says Tate of the Living Colour founder, “Vernon’s like a damn Ferrari, man! He can start where most guitar players climax, and then he keeps on taking it out from there. In the midst of an improv piece you just call on Vernon and … bam! He’s setting land speed records.”
read the article here
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January & February 2008
It’s 2008 and we feel blessed to get it started in a new way with Rashida Bumbray bringing us to The Kitchen for two nights on January 18th & 19th to re-create our More Than Posthuman — Rise of the Mojosexual Cottilion jammee. Sparlha Swa will also be in the house with her group and those in the know, know she’s fly!! Two nights so you can come back and not have to pinch yourself as if.….….did that really happen. One hang-up though with only 150 tickets each night, it will be tight and we don’t want you hangin out in the cold, so buy in advance and be assured your place in Burnt-Sugar Space. Might even have some new Arkestra Chamber merch so be the first to own and display in your hood!
The Sugar has developed an over-seas love affair that time nor distance can diminish. Between Leda and Fabien of Sons D’Hiver and Nilou and Xavier of Banlieues Bleues we can always feel the parisian love. It’s special and we respond in a special way. Check our “Not April in Paris” release from a Banlieues Bleues March 19th, 2004 performance. All off the top of our heads yet due to the in-house love, the music flowed like a deep soul river. It’s on disc.….…. check it. Now we return to Son D’Hiver on February 2nd at the Espace Culturel Andre Malraux with a small crew of 18 and look forward to continuing expressing our mojosexual musical flow. If you’re in Paris, I’d advise you come and soak it up too, as it only happens every few years, and it’s never the same. With Brother Ali on the hit. Ya Heard!!
Closing February in a fab way, Moikgantsi Kgama, Founder & Executive Director and Gregory Gates, the Executive Producer of Imagenation have invited Greg and Burnt Sugar to provide an original score for their “The Micheaux Project” which features the 1927 silent film “Within Our Gates.” This will go down on the 21st at Lincoln Center’s Kaplan Penthouse. Imagenation’s generous funding will allow Burnt Sugar to accessorize the performing crew with jungle percussionist Marque Gilmore (flying in from Stockholm!!) and enlisting the immensely talented poetess and electronic sound-scape artist Latasha Natasha Nevada Diggs.
January 2009
It’s the new year and Burnt Sugar the Arkestra Chamber is in a celebratory mood!!
We wish each of you a happy and healthy 2009.
2009 commences:
– our tenth year in existence.
– and a boss-banging bunch of events, some we can speak of now, and some we’ll speak of later. (like the release of our first full studio recording in five years.)
For the now, come join us on Sunday, January 4th at our home-away-from-home Zebulon Cafe in Williamsburg, Brooklyn. There will be music, a toast, more music and much more toasting, and
of course we’ll top that off with a dab of even more music.
Zebulon Cafe Concert
258 Wythe Avenue
Brooklyn, NY 11211
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On Saturday, January 10th, Burnt Sugar will be in effect at Brice Rosenbloom’s Winter Jazz Fest with a performance at 12:40am at Kenny Castaways. (Please check http://www.winterjazzfest.com/ for full details. )
If you are involved with the APAP conference in Manhattan that weekend, let us know as we can put you on a gratis guest list for our performance.
We’d love to meet you and make arrangements to bring the Burnt Sugar express to your hamlet, city or town.
Kenny’s Castaways
157 Bleecker St. btw Sullivan & Thompson
640p: Ayelet Rose Gottlieb
740p: By Any Means
feat. William Parker, Charles Gayle, Rashied Ali
840p: Sexmob plays Sexotica
940p: Lafayette Gilchrist
1040p: Tar Baby
1140p: Jacob Fred Jazz Odyssey
1240a: Burnt Sugar the Arkestra Chamber
140a: Taylor Ho Bynum’s Positive Catastrophe
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Being a new year there’s nothing more exciting than performing at a new venue and that’s what we’ll
be doing as Burnt Sugar closes out the month on Friday, January 30th with a first-time appearance at
the Multi Media Arts Center (MMAC) in Bloomfield N.J. Please check our website calendar page or
myspace page for specific details on all the dates mentioned above.
Multi Media Arts Center
562 Bloomfield Avenue
Bloomfield NJ 07003
973–748-6622
www.multimediaartscenter.com/
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With an alumni that amongst others, consists of Vijay Iyer, Matana Roberts, Julia Kent ( Antony & the Johnsons ) and Captain Kirk Douglas ( The Roots ), we’d like to give a shout-out to our boy, flutist/percussionist and world-renowned installation artist Satch Hoyt.
Satch has resided in Berlin the last few years, but that hasn’t stopped him from getting his sugar fix as he joined us in Paris last year for our performance at the Son D’Hiver festival and took Lewis Flip Barnes Jr. and Dave Smith into a Paris studio to lay tracks for Satch’s upcoming release, “Griots and Cybercrooks.“You can check a few tracks out on Satch’s myspace page http://www.myspace.com/griotsandcybercrooks
While we are on the subject of recording, Satch also has authored a tune on Grace Jones current release, Hurricane (PIAS/ Wall of Sound). His track, “The Funkey” is an additional track on download versions and it will only be available on certain versions such as the Japanese digital downloadable release. Get, get get it Satch!!
We have Big, Big news in the coming months and that’s all we’ll say.… for now.
Love and Peace in 2009,
Burnt Sugar the Arkestra Chamber
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October — November 2008
Burnt Sugar has accepted Charles Blass’s offer to keep it ghastly with a live sugary broadcast in the studios of WKCR. The music starts at 2am and will go till we drop or becoming sanctified or are kicked off the premises at 6am!! 89.9FM on your dial, turn it up and scare your neighbors!! If you’re still in costume come on by and help us bring the noise!! check WWW.WKCR.ORG
The title of the show says it all, Radio Rituals III Halloween Extension with Burnt Sugar the Arkestra Chamber Performing Live on WKCR-FM ’Audio Gumbo’s Late Nite Halloween-Into-Early-in-the-Morning-on-All-Saints’-Day Jammee!!
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Paul Linzy Johnson, the brain behind this new live internet tv show, “Neworld Millennium Nation,” is proud to announce that Burnt Sugar the Arkestra Chamber to kick off ( it is football season… ) this new web endeavor. It will be at the Henry Street Settlement Recital Hall on the 19th and from what we’ve been told, on the web soon after. so be on the look-out for that!












Burnt Sugar Salutes and re-imagines James Brown at The Apollo
During a Salon Series residency on the Apollo Theater’s Sound Stage, Burnt Sugar the Arkestra Chamber will re-orchestrate several medley’s taken from James Brown’s 3 ‘Live At The Apollo’ albums for the 14-member Arkestra’s array of guitars, strings, horns, keyboards, percussion and voices. We will re-imagine these pieces in the styles of Brown’s contemporaries Miles Davis, John Coltrane, Nina Simone and Jimi Hendrix.The group will also develop a multimedia works-in-progress component with a visual artist and a director/choreographer TBA. These experiments will culminate in two evenings of performance in the Salon. Dates to be confirmed — stay tuned.