The Refuge Project II: Advocacy against Domestic Violence through Music, Yoga and Art

Advo­cacy Against Domes­tic Vio­lence through Yoga, Music and Art

Sun­day August 8, 2010

5:30pm Vinyasa Mas­ter Class

7:00pm Con­cert

$25.00 Mas­ter Class includes recep­tion, gift bag and con­cert tix

$15.00 Con­cert 21 and over

Join the Three Jew­els at Lit­tle­field in Gowanus, Brook­lyn. Lit­tle­field is located at 622 Degraw St.

Gather a friend or two and stop by for a invig­o­rat­ing vinyasa mas­ter class start­ing at 5:30pm with Lisa Jacob­son, Maria Cutrona, Jelena Zaric, Tracy Chiu, Eve Smith, and Eisa Davis.

At 7:30 the con­cert begins with an incred­i­ble music line up fea­tur­ing The Cit­i­zens, Opti­mus Tribe, Carl Han­cock Rux, Matt Kane­los and Burnt Sugar the Arkestra Chamber.

Art­work for the event by Mari Plaza Munet

Tick­ets on sale now!

All event pro­ceeds will go to Sue Rock Orig­i­nals Every­one! and Safe Horizon.

Pre­sented by The Three Jew­els and The Refuge Project II

The Cit­i­zens

“The band mem­bers, Jason DiMat­teo, Thom Lou­bet, Mark Lesser­aux and John Bollinger have crafted a blend of pop and rock that not only draws on a vari­ety of styles, but blends them into some­thing wholly unique. The Cit­i­zens shouldn’t be missed!” Jen­nifer Pat­ton – Adequacy.Net

www.facebook.com

www.myspace.com/citizensmusic

Opti­mus Tribe

Opti­mus Tribe is Srikala and Aloka. Con­scious Hip-Hop, with a taste of kir­tan and dubstep.

http://soundcloud.com/optimustribe

http://www.reverbnation.com/srikala

Burnt Sugar the Arkestra Chamber

A mul­tira­cial jam army that freestyles with cool telekine­sis between the lus­trous men­ace of Miles Davis On The Cor­ner, the clash-an-om of 1970s King Crim­son, and Jimi Hen­drick moon­walk across side three of elec­tric Landyland.”Burnt Sugar the Arkestra Chamber

Carl Han­cock Rux

“Carl Han­cock Rux’s work crosses the dis­ci­plines of poetry, the­ater, music and lit­er­ary fic­tion in order to achieve what one critic describes ” as a dizzy­ing oral artistry….unleashing a tor­rent of paper bag poetry and post mod­ern Hip-Bop music; the rit­u­al­is­tic blues of self awak­en­ing.” carlhancockrux.com

A Chicago native, Matt Kane­los stud­ied clas­si­cal and jazz piano at Chicago Musi­cal Col­lege before mov­ing to New York City. Matt’s lyri­cal stylings and min­i­mal­ist musi­cal aes­thetic bring to mind influ­ences like Neil Young, Bob Dylan , Leonard Cohen, and Cat Power. Per­form­ing reg­u­larly in New York, he has col­lab­o­rated with Noe Ven­er­a­ble, Rose Polen­zani, Jenifer Jack­son, Roland Sat­ter­white, and Jason Lieb­man as well as mem­bers of Cal­i­fone and Elysian Fileds. In 2008, Matt formed the band The Smooth Maria with Ben Gal­lina, Conor Mee­han, and Kyle Sanna. Their first full length CD, ” Silent Show,” was released in May of 2009. MattKanelos.com

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Undead JazzFest

Undead Jazzfest posterOn June 12th and 13th 2010 boom­BOOM Presents and Search & Restore unleash the Undead Jazz Fes­ti­val on New York City.  Hot off the suc­cess of Win­ter Jaz­zfest,  these like-minded, ambi­tious con­cert pre­sen­ters have revived the same two-day, many-artist, multi-venue for­mula.  For two Sum­mer nights, one ticket will give jazz fans access to Le Pois­son Rouge, Kenny’s Cast­aways, and Sul­li­van Hall — three clubs with dis­tinctly dif­fer­ent aes­thet­ics, rep­u­ta­tions and his­to­ries, and all unit­ing to cel­e­brate the many iden­ti­ties of jazz being cre­ated today in New York City.

As founders/producers of Undead, Brice Rosen­bloom and Adam Schatz are on a mis­sion to shake the tired image of jazz as a music of the past, a his­tor­i­cal foot­note, and worst of all, expen­sive.  Jazz is a music of the peo­ple, and hinged on the excit­ing force of impro­vi­sa­tion.  The music can take on so many vibrant forms, each bring­ing a lis­tener to a new place of enjoy­ment, eupho­ria and over­all sonic stim­u­la­tion.  All of the 30+ groups par­tic­i­pat­ing in this fes­ti­val bring impro­vi­sa­tional per­son­al­ity, com­po­si­tional agenda and unique ideas to the table.  They have been con­sciously united for these two nights to cen­tral­ize the jazz adven­tures that occur on a nightly basis in New York, and bring it all to a cli­max at three Green­wich Vil­lage clubs within one block of each other.

Undead is as much a fes­ti­val for the fans of jazz’s devel­op­ing his­tory, as it is for those who have always wanted to know more about the music but do not know where to start.  Whether or not you’ve heard of all or none of the 150+ musi­cians per­form­ing in the Undead Jazz Fes­ti­val, it doesn’t mat­ter.  What mat­ters is that you’re there to let the music speed your pulse and blow your mind.

Sat­ur­day, June 12th - Sul­li­van Hall
www.sullivanhallnyc.com
214 Sul­li­van Street btw Bleecker & West 3rd

8pm – TBA
9pm – Love Trio
10pm – Ben Perowsky’s Moodswing Orches­tra
11pm – Marc Cary Focus Trio
12am – Super­hu­man Hap­pi­ness
1am – Burnt Sugar The Arkestra Cham­ber
2am – Josh Rose­man Unit

Single-Day Fes­ti­val Passes are avail­able to the Gen­eral Pub­lic for $25

Two-Day Full Fes­ti­val Passes are avail­able to the Gen­eral Pub­lic for $30

:::CLICK HERE for tickets:::

Tick­ets get you admis­sion to all three venues.

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“Serralves em Festa” in Oporto Portugal

Burnt Sugar the Arkestra Cham­ber will be mak­ing our first trip Por­tu­gal per­form­ing on the clos­ing night of the 2010 edi­tion of “Ser­ralves em Festa” in Oporto.
The fes­ti­val direc­tors expect around 10,000 peo­ple to gather around the main stage in the park and the Sugar will hit them with JB’s FUNKY DIVAS VERSUS THE REVOLUTION OF THE MIND. A mash-up the albums, James Brown’s Live At The Apollo Vol­ume 2, James Brown’s Rev­o­lu­tion of the Mind & James Brown’s Funky Divas.

Visit this link for more info
www.serralves.pt
and here:
www.serralves.pt//FLIPBOOK/dossier/index.html

A 7ª edição do Ser­ralves em Festa será encer­rada com a actu­ação dos Burnt Sugar The Arkestra Cham­ber que propõem um espec­táculo de hom­e­nagem a James Brown. Esta banda amer­i­cana de impro­visação é uma das pou­cas que mescla as influên­cias de funk, jazz, rock, reg­gae, soul, hip-hop, heavy metal e música clás­sica do século XX e todas as for­mas de expressão musi­cal vocal e instru­men­tal. O grupo foi for­mado em 1999 e mais de 40 músi­cos já pas­saram pela sua for­mação, que ape­sar de ser flu­ida se baseia sem­pre num núcleo de 12 músicos.

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JB’s Funky Divas vs The Revolution of The Mind

You most likely can’t travel to Porto, Por­tu­gal and wit­ness Burnt Sugar’s per­for­mance on June 6th at the 2010 edi­tion of Ser­ralves em Festa.   More likely you can come to the Blue Note’s Late Night Groove Series on Fri­day, May 28th and wit­ness the Arkestra Cham­ber per­form  JB’s FUNKY DIVAS VERSUS THE REVOLUTION OF THE MIND, a musi­cal mash-up of the albums, James Brown Live At The Apollo Vol­ume 2, James Brown’s The Rev­o­lu­tion of the Mind and James Brown’s Funky Divas.

The JB-edition of Burnt Sugar is a very accom­plished crew with play­ing cred­its rang­ing from Cyro Bap­tis­tas, Wadada Leo Smith, Clau­dio Roditi, David Mur­ray and Joseph Bowie, to TV On The Radio, Ver­non Reid, the Holmes Broth­ers, William Parker, Fela on Broad­way, The The and Phish.  Anchored by the pop and siz­zle rhythm sec­tion of Jared Michael Nick­er­son (elec­tric bass) and Chris Eddle­ton (drums), the ghetto mys­ti­cism vocals of Karma Mayet Johnson, Mikel Banks, Mazz Swift (violin), Lewis “Flip” Barnes Jr. (trumpet),   Bruce Mack (syn­the­sizer),  the drop-step pre­ci­sion of Avram Fefer (tenor sax), “Moist” Paula Hen­der­son (bari­tone sax), Dave Smith (trombone), Greg Tate (gui­tar) and André Lassalle (guitar).

You can trust this is going to be “A Funky Good Time!”

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May!

Ah… the Sweet­back gift  keeps on giv­ing!   We’d like to wel­come Aman-Re Jack (con­gas), the hus­band of Tracy Jack (chore­o­g­ra­pher for the Sweet Sweet­back pro­duc­tion ), to the Sugar tribe.

Speak­ing of Sweet­back we’ve just heard from Mr. Melvin Van Pee­bles that a 52-minute doc­u­men­tary shot by Mr. Samuel Thiebaut and con­tain­ing cast inter­views, BRIC res­i­dency footage, and excerpts from the two-night’s per­for­mances at the Mai­son des arts de Creteil in Paris will air on ARTE/MEZZO in June.

But back to the hear and now, it’s going to be a multiple-personality throw-down at South­paw this Thurs­day with our esteemed Mas­ter Blaster, Greg Tate, over on the Left Coast, this hit will have Flip, Karma, Bruce and Mikel han­dling the con­duc­tion chores.  It’ll present a rare chance to wit­ness all the dif­fer­ent per­son­al­i­ties and tex­tures the Arkestra Cham­ber can present at the flick of a ges­ture.  Be a wit­ness.  Ya Heard!

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The Rites of Thang. With Apollo Heights and Smoota!

Burnt Sugar with Smoota and Apollo Heights8:30 Smoota
9:30 Apollo Heights
10:30 Burnt Sugar the Arkestra Chamber

$10 in advance at Ticket Web or $12 at the door

SMOOTA: “Each song is so sexy (instru­men­tals), yet weird (lyrics) at the same time…you almost feel wrong for dig­ging it so much.” (DOWNTOWN DIARIES)

http://www.myspace.com/smoota

APOLLO HEIGHTS: “The best live band in New York.” (FADER)
http://www.myspace.com/apolloheights

BURNT SUGAR: “A mul­tira­cial jam army that freestyles with cool telekine­sis between the lus­trous men­ace of Miles Davis’ On The Cor­ner, the slash-and-om of 1970s King Crim­son, and Jimi Hen­drix’ moon­walk across side three of Elec­tric Lady­land.” (ROLLING STONE)

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Funk You — Funky Soul Disco Dance Party

Funk You -Funky Soul Party8:30pm : Dan Saks and The Funkdadeli All-Stars (feat Burnt Sugar’s Jared Nick­er­son on bass & ‘Moist’ Paula Hen­der­son on bari-sax)

9:15pm: DeLEON (J-Dub Records)

“From the same cul­tural blender that gave us Gogol Bor­dello and Dengue Fever comes the Spanish/Jewish/Brooklyn mash that is Daniel Saks’ vision­ary band DeLeon. At times rock­ing the Cas­bah (“La Ser­ena”), some­times chan­nel­ing David Byrne (“Almond Trees”), and some­times just won­der­fully weird (“La Vida Do Por El Raki”), This is one band to behold.” -
Toph One XLR8R
ILoveDeLeon.com

10:30pm: Burnt Sugar

12am: Mackie River­side & The Street Push­ers (Bud­dhabug Records)
MackieRiverside.com

If you’ve never been to Kenny’s, then know this, sInce 1967, in the leg­endary heart of Green­wich Vil­lage, Kenny’s Cast­aways has been the house that Rock built. Bruce Spring­steen played his very first New York gig here. The New York Dolls, Patti Smith, Aero­smith, Rod Stew­art and the Ramones are all part of Kenny’s his­tory. Kenny’s Cast­aways is one of the last remain­ing authen­tic rock ‘n’ roll bars in New York City.

157 Bleecker Street (between Sul­li­van & Thomp­son Street)

- Sub­way direc­tions — Take the A,C,E,F,B,D,Q to West 4th Street & walk to Bleecker Street or take the 6 train to Bleecker Street & walk to Thomp­son Street

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Greg Tate on Mizik Pou Dwa Moun

“Like every­one else within reach of global media on the week Jan­u­ary 12, 2010, the mem­bers of the Burnt Sugar col­lec­tive were hor­ri­fied and sad­dened by news of the mas­sive earth­quake which cat­a­stroph­i­cally struck the island of Haiti. In its dis­as­trous wake came the loss of 250,000 lives and the ongo­ing ter­ror, dis­place­ment, hunger and grief for those of Haiti’s peo­ple left to fend for them­selves in the con­tin­u­ous after­math. While many of us imme­di­ately made indi­vid­ual con­tri­bu­tions to relief efforts, we have also now been guided by the con­science and imag­i­na­tion of our good friend (and graphic design maven) Amy Gail to present this com­pi­la­tion of music by Burnt Sugar and its mem­bers to Haiti’s sur­vival and rebirth. A piv­otal mecca for Black Atlantic cul­ture in this hemi­sphere, espe­cially in the realms of mys­ti­cism, music and visual art, Haiti has also, since the 18th cen­tury, been an inspi­ra­tion for all strug­gling world­wide for jus­tice and self-determination against those with anti-democratic impe­ri­al­is­tic designs on their peo­ple and land. Those seek­ing evi­dence of how much dam­age a ‘small axe’ can do to a ‘big tree’ need look no fur­ther than the San Domingo rev­o­lu­tion which gave Haiti its inde­pen­dence in 1804.

Sax­o­phon­ist Albert Ayler long rec­og­nized music as the ‘heal­ing force of the uni­verse’. It is our hope that Burnt Sugar’s hum­ble offer­ing– whose prof­its will gained solely through dona­tions to the Haitian-based med­ical aid orga­ni­za­tion Zanmi Las­ante (Part­ners in Health)–will build on Ayler’s idea artis­ti­cally and spir­i­tu­ally to lend energy, inspi­ra­tion and even greater global empa­thy to the res­ur­rec­tion of Haiti’s peo­ple and their nation’s infra­struc­ture, social insti­tu­tions and civil soci­ety.“
Greg Tate
Music Director/Conductor
Burnt Sugar the Arkestra Chamber

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“Medicine Music” by Dowoti Désir

“Every soci­ety has their med­i­cine men and women whose bag of juju is music. The uni­ver­sal­ity of music in part defines our human­ity. ‘Mizik Pou Dwa Moun’ (Music for Human Rights) cov­ers the gamut of alter­na­tive sounds pro­duced in the global North. The com­pi­la­tion of songs and instru­men­tals on this two CD set was designed to repair the spir­its of the liv­ing and re-member the 300,000 dead as a result of the great­est sin­gle calamity nature has bestowed on human­ity in mod­ern times, the first epic dis­as­ter of the 21st Cen­tury: the 7.6 rec­tor scale earth­quake that dev­as­tated Cen­tral Haiti. Yet in some truly twisted bit of faith, like some “Junk­yard Jewel hid­den in trash” – the shunned dis­card of 19th cen­tury impe­ri­al­ism, the would-be poster child of this era’s Neo-liberal garbage heap, read­ing the cue cards of an inept Hait­ian Pres­i­dent Rene Preval and the lat­est “White King of La Gonave,” gate­keeper, for­mer U.S. Pres­i­dent William Jef­fer­son Clin­ton, we Haitians in our Home­land and Dias­pora are “doing what we got to do to get what we need to get…” and we are con­tin­u­ing the Hait­ian Rev­o­lu­tion, Sec­tion 1, Part III.

Music always the balm of our souls and its fire, from the Musik Racine, (roots music) that per­son­i­fies the sec­ond phase of Hait­ian Rev­o­lu­tion, the Dechoukaj, min­is­tered under the twice dis­rupted admin­is­tra­tions of Pres­i­dent Jean Bertrand Aris­tide to the sacred devo­tional music that lead us to slay the drag­ons of enslave­ment and inhu­man­ity between 1764 and 1803, Hait­ian devo­tional music, the sacred rhythms of Vodou, (the dance to the ances­tors,) always car­ried our mes­sage of lib­er­a­tion.
This CD reminds us of those many paths tra­versed from joy to lamen­ta­tion, pop­u­lar bal­lads to jazz enable us to remem­ber… espe­cially those who loved us, those we lost, those we were forcibly sep­a­rated from, those we refuse to forget.

And for the unseen spir­its among us, the envisib; mysté; zanj lis­ten­ing to these tunes, now “singing songs never sung” who will not allow us to be for­got­ten, you who shaped the Hait­ian imag­i­na­tion and the imag­i­na­tion of the world, be you daugh­ters of Kon­goland, regents of Dahomey or a the prog­eny of the palest flow­ers among us, keep­ing singing those songs into our heads. Nou mem mem mem, you my peo­ple: defect­ing royal, elite gen­try or proud peas­ant; slum-dweller; name­less, face­less cacao-skinned, coconut leaf child – how­ever you got us here in the Amer­i­cas, whis­per those songs of Afrik Ginen, Moth­er­land of all human­ity to us.

You, the heal­ing voices inside our heads crossed the Mid­dle Pas­sage come pour­ing your hearts inside us. You who spat blood in the cry­ing seas, flung from ships boughs or cap­tive step­ping on sad soil whose pulse is unknown between your toes. We honor you with these songs. And you wedged in the rub­ble, pray­ing with the saints, the lwas, orisa, God and the damned, wait­ing to be res­cued… And finally you who responded dig­ging in your pock­ets, your food pantries, clos­ets, hearts, your souls to help us in need, lets us all sing the songs we know and those songs we had never song before with love, grace, com­pas­sion and Burnt Sugar. Ayibobo!”

Dowoti Désir
Manbo Asogwe
Ogun Task­force for Haïti
March TwentyTen

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“Mizik Pou Dwa Moun” A Burnt Sugar Collective Compilation for the People of Ayiti

"Mizik Pou Dwa Moun" disc 1"Mizik Pou Dwa Moun" disc 2Burnt Sugar is pleased to  present “Mizik Pou Dwa Moun” (Human Rights Music). 25 songs of lamen­ta­tion, med­i­ta­tion and joy con­tributed by Burnt Sugar The Arkestra Cham­ber and its Col­lec­tive Members.

Ded­i­cated to the mem­ory of the souls lost and to the sur­vival and rebirth of Haiti and her peo­ple, the album is a free down­load offered in exchange for your dona­tion to the Hait­ian aid orga­ni­za­tion Zanmi Las­ante (Part­ners in Health).

Musi­cal con­tri­bu­tions by: Satch Hoyt, Micah Gaugh, The Per­fect Man-Dave ‘Smoota’ Smith (feat. Sec­re­tary), Brazz Tree, Maya Azu­cena, Moist Paula Hen­der­son, The Cit­i­zens, ISWHAT, Day­ton Flic, Jere­miah, Will Mar­tina, Bruce Mack, Meret Koehler, The Avram Fefer Trio, Ladell Mclin and Swiss Chris, Mois­tur­izer, The Destruc­tion of Black Civ­i­liza­tion, BT3 and Burnt Sugar the Arkestra Chamber.

We under­stand that there are many of you with­out the means to make a finan­cial con­tri­bu­tion, please enjoy the music and do your part by shar­ing the cam­paign with your friends and family.

Down­load the liner notes here

Visit this page to down­load the album (it’s a dou­ble disc — be sure to grab both discs!)

Please sup­port our fund-raising efforts for Part­ners in Health here

No amount is too small to make a difference.

Learn more about Zanmi Las­ante (Part­ners in Health) here

Thank you !

Mizik Pou Dwa Moun announcement

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Sweet Sweetback’s Baadaass Song — Recorded Live in Paris!!

Thanks to the efforts of our amaz­ing French hosts at Sons D’Hiver & Arte Live Web — we’re happy to share the per­for­mance of the sec­ond night of “Sweet Sweetback’s Baadaass Song: A Hood Opera”

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Sweetback Caught in the Act on Brooklyn Independent Television

Many thanks and a HUGE shout out to Brook­lyn Inde­pen­dent Tele­vi­sion, a com­mu­nity media pro­gram of BRIC Arts | Media | Bklyn !

Check them out here

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Ben Sisario profiles Melvin Van Peebles at The NY Times

“ASK Melvin Van Pee­bles about his legacy, and you get a snort, a gri­mace, a wave of the hand, a game-show error buzz and a finely punc­tu­ated “come on.” “I didn’t even know I had a legacy,” he said between rehearsals for his lat­est project, a musical-theater adap­ta­tion of his 1971 film “Sweet Sweetback’s Baadasssss Song.” “I do what I want to do.”

The story includes audio excerpts of the interview.

Check it out here at  NY Times Online

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Sweet Sweetback’s Baadasssss Song (the Hood Opera)

The unfor­get­table Melvin Van Pee­bles’ movie Sweet Sweetback’s Baadasssss Song (1971) is an iconic work of Afro-American cin­ema and the begin­nings of Blax­ploita­tion. It was one the biggest suc­cesses in the inde­pen­dent film-making and still has a huge influ­ence over the hip-hop cul­ture. Melvin Van Pee­bles’ own com­po­si­tions really deter­mine the action by invent­ing some­thing com­pletely new, a funky cin­ema, thick, sweaty, and panting.

The free­dom of speech and coarse­ness of some scenes, strongly con­trast with Hollywood’s puri­tanism as well as the way he shows the Afro-American com­mu­nity from the inside. The sex­ual exploits of the hero, his run­away to Mex­ico with the police on his trail, the cease­less race on the verge of exhaus­tion of this man, still stand­ing up, always at odds with soci­ety; the whole story com­poses a sig­nif­i­cant metaphor of Back men dif­fi­cul­ties in the Amer­i­can soci­ety of that time.

The film becomes now an opera, and a world pre­miere for Sons d’hiver fes­ti­val, led by Melvin Van Pee­bles him­self! Greg Tate and Burnt Sugar the Arkestra Cham­ber pro­vide the musi­cal part. As a mat­ter of fact, the idea is not to replay the orig­i­nal but to adapt this unique work for the stage in a con­tem­po­rary way. Co-founder of the Black Rock Coali­tion, Greg Tate and his Burnt Sugar Arkestra seems the per­fect ensem­ble to take up the chal­lenge, car­ry­ing on the her­itage of a cer­tain Black music from Duke Elling­ton to the Art Ensem­ble of Chicago to Funkadelic and Sun Ra.

Sweet Sweetback’s Baadasssss Song (the Hood Opera) is a musi­cal adap­ta­tion writ­ten,  com­posed and directed by Mr. Van Pee­bles: devel­oped in res­i­dence at The Apollo The­ater Salon Series, Harlem NY and at BRIC Arts | Media | Bklyn, Brook­lyn, NY.  The pro­duc­tion will have it’s world pre­miere at the Sons d’hiver Fes­ti­val in Paris, France at Mai­son des Arts on Fri­day, Feb­ru­ary 19th & Sat­ur­day, Feb­ru­ary 20th, 2010 pro­cured by Jared Michael Nick­er­son for Burnt Sugar Index LLC.

Best known as the “God­fa­ther of inde­pen­dent film and mod­ern black cin­ema,” Melvin Van Pee­bles has also dis­tin­guished him­self in an impres­sive list of other aspects of the enter­tain­ment indus­try – as a direc­tor, pro­ducer, writer, and com­poser.  He is an Emmy award-winner and has received two NAACP Awards in addi­tion to three Grammy nom­i­na­tions and eleven Tony nom­i­na­tions.  He pub­lished five nov­els in French, one of which became the basis of his first fea­ture, a French film enti­tled, La Per­mis­sion” (The Story of A Three Day Pass), which won the Critic’s Choice Award at the 1967 San Fran­cisco Film Fes­ti­val.  He became the first black direc­tor to shoot a film in Hol­ly­wood with his film Water­man Man and he used the money he earned from this project to finance his next fea­ture, Sweet Sweetback’s Baadasssss Song. He later went on to write and com­pose two Tony Award-nominated Broad­way musi­cals, Ain’t Sup­posed to Die a Nat­ural Death and Don’t Play Us Cheap.  In tele­vi­sion, Van Pee­bles wrote the screen­play for a CBS movie pilot Just an Old Sweet Song (1976) fol­lowed by the sequel Down Home.  He wrote and acted in Sophis­ti­cated Gents and also wrote the Emmy award-winning after school spe­cial, The Day They Came to Arrest the Book.  Most recently he starred in his off-Broadway show, Unmit­i­gated Truth (Life, a Lava­tory, Loves & Ladies), directed and starred in the film Con­fes­sions of a Ex-Doofus Intchy Footed Mutha, and was also awarded the pres­ti­gious French Legion of Honor.

Writ­ten and Directed by Melvin Van Pee­bles
Fea­tur­ing the Hood Opera Cast and Burnt Sugar the Arkestra Chamber

Alfred Preisser            Cre­ative Con­sul­tant to the Direc­tor
Jared Nick­er­son        Gen­eral Man­ager
Grier Cole­man            Wardrobe Super­vi­sor
Kim­berly Glen­non        Wardrobe Coor­di­na­tor
LaRonda Davis            Com­pany Man­ager
Naima Ince            Director’s Assistant

Cast
(in alpha­bet­i­cal order)

Chelsea Adewunmi
Roger Binette
Alex Dittmer
Jef­fery Glaser
Jere­miah Grif­fen
Tracy Jack  — Chore­o­g­ra­pher
Karma Mayet John­son
Der­rin Maxwell
Kim­ber­lee Mon­roe
Jacque­line Thuener-Rego
Lelund Durond Thomp­son
Gillian Wig­gin
Reji­nald Woods

Burnt Sugar the Arkestra Cham­ber — Sweet­back Edi­tion
(in alpha­bet­i­cal order)

Lewis “Flip” Barnes Jr.         Trum­pet
Mikel Banks             Har­mon­ica, Flute and Freak-A-Phone
Jason DiMat­teo             Acoustic Bass
Christo­pher Eddle­ton         Drums
Avram Fefer             Tenor Sax
Micah Gaugh             Alto Sax
“Moist” Paula Hen­der­son     Bari­tone Sax
Andre Las­salle             Gui­tar
Bruce Mack             Key­boards
William Mar­tina         Cello
Jared Michael Nick­er­son     Elec­tric Bass
David Smith             Trom­bone
Mazz Swift             Elec­tric Vio­lin
Gre­gory S. Tate         Musi­cal Direc­tor, Guitar

www.sonsdhiver.org

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Happy 2010 to all the love warriors

Happy 2010 to all the love warriors

Happy 2010 to all the love warriors

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Late Night at Joe’s Pub, with special guest, Melvin Van Peebles

As the story goes …from a hum­ble begin­ning of only two the­aters and a tor­rent of neg­a­tive reviews, “Sweet Sweetback’s Baasasssss Song” even­tu­ally mush­roomed to domes­tic box office receipts of $10,000,000.00 and landed on Daily Variety’s list of top-grossing films for the year 1971.  Inci­den­tally Sweet Sweet­back was the largest gross­ing inde­pen­dent film up to that time with it’s suc­cess kick-starting what became known as the Blax­plota­tion film movement.

BS-JOES-MVP2Not as well doc­u­mented is that Earth Wind and Fire per­formed the musi­cal sound­track on Sweet­back.  Here, thirty-nine years later, Mr. Melvin Van Pee­bles, the pro­ducer, writer, direc­tor, com­poser, edi­tor and star of Sweet Sweet­back has cho­sen Burnt Sugar the Arkestra Cham­ber to be his 23rd-century Earth Wind and Fire.

The Arkestra Cham­ber will per­form the sound­track live, on-stage, for the the­atri­cal world pre­miere of  “Sweet Sweetback’s Bad­dass Song (The Hood Opera)” at the Sons d’hiver Fes­ti­val in Paris, France on Feb­ru­ary 19th and 20th, 2010.
Want a taste and can’t go to Paris in Feb­ru­ary?  Joe’s Pub has you covered!

On Sun­day, Jan­u­ary 10th, 2010, Joe’s Pub Late Night will present Burnt Sugar for a baadasssss time of tunes from the sound­track; an appear­ance by Mr. Melvin Van Pee­bles him­self; and of course the conducted-improvisational mash-ups con­duc­tor Greg Tate and the Burnt Sugar crew are world-famous for.

Get your tick­ets early as the last Burnt Sugar/Joe’s Pub per­for­mance in August stranded a bus-load of music lovers in the Pub­lic The­ater lobby. The time is now, Be a witness!

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“Sweet Sweetback’s Baddass Song: A Hood Opera” Open Rehearsals at BRICstudio

Two Nights! Feb 3 & 4

Melvin Van Pee­bles
& Burnt Sugar the Arkestra Cham­ber
in res­i­dence at BRICstudio

8:00 PM Work-In-Progress (rehearsal) View­ing
9:45 PM Dis­cus­sion w/ Melvin Van Pee­bles
10:00 PM Book Sign­ing & Mer­chan­dise Sales

Doors Open @ 7:45 PM
Tick­ets Details Com­ing Soon!

Join us for an unfor­get­table evening with leg­endary artist and direc­tor Melvin Van Pee­bles as he directs Burnt Sugar the Arkestra Cham­ber and a large cast of actors and singers in a musi­cal stage adap­ta­tion of his ground­break­ing 1971 film, Sweet Sweetback’s Baadassss Song. Expe­ri­ence a work-in-progress pre­view of the piece, ahead of its inter­na­tional pre­miere at the 2010 Sons d’hiver Fes­ti­val in Paris, fol­lowed by a post-performance dis­cus­sion with the artists.

Don’t miss this unique oppor­tu­nity to wit­ness the inti­mate process of artis­tic col­lab­o­ra­tion and cre­ative fusion that will bring to the stage one of the most influ­en­tial movies of the African-American cinema!

Melvin Van Pee­bles financed, wrote, directed, scored, and starred in the orig­i­nal film ver­sion of Sweet Sweet­back, paving the way for the suc­cess of future inde­pen­dent black films to fol­low. It tells the story of a deprived African-American man on his flight from white author­ity in satir­i­cal, real­is­tic and often humor­ous detail.

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THE 10TH ANNIVERSARY CELEBRATION CONTINUES!

The 10th anniversary celebration continues

Burnt Sugar the Arkestra Cham­ber brings our genre-bending live show to York College’s Per­form­ing Art Cen­ter in Queens on Fri­day, Novem­ber 13th & The World Famous Blue Note in Man­hat­tan on Mon­day, Novem­ber 16th.

Wit­ness the next step in the evo­lu­tion of The Arkestra Cham­ber as “Pass the Baton” makes its NYC area debut at York College’s Per­form­ing Art Cen­ter on Fri­day, Novem­ber 13.

Road tested (and Burnt Sugar approved) in Chicago, Philadel­phia and Wilm­ing­ton, Delaware; “Pass the Baton” is Greg Tate’s lat­est Burnt Sugar brain-child. With the pass of a baton, Con­duc­tion duties are shared between mem­bers of the band. The result is a dynamic multi fla­vored per­for­mance as each con­duc­tor adds their fla­vor to the pot.

Dur­ing this per­for­mance, the baton will be passed between Lewis “Flip” Barnes, Karma Mayet John­son, Micah Gaugh and Mikel Banks.

On Mon­day, Novem­ber 16, Burnt Sugar returns to The Blue Note NYC for 2 evening per­for­mances con­ducted by Greg Tate.

We hope you’ll come out both nights and expe­ri­ence the groova­cious funk-a-fied ver­sa­til­ity of the Arkestra Cham­ber. — As it’s been said,  Burnt Sugar never plays a song the same way once.

With the Autumn weather chill in full effect (and our last Man­hat­tan show being on the sold-out tip), we advise you to buy your tick­ets in advance and walk right though the door.

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York College Performing Arts Center on 11/13/09

Burnt Sugar at York College (CUNY) performing Arts CenterWit­ness the next step in the evo­lu­tion of The Arkestra Cham­ber as “Pass the Baton” makes its NYC area debut at York College’s Per­form­ing Art Cen­ter on Fri­day, Novem­ber 13.

Road tested in Chicago, Philadel­phia and Wilm­ing­ton, Delaware; “Pass the Baton” is Greg Tate’s lat­est brain-child. With the pass of a baton, con­duc­tion duties are shared between mem­bers of the band.

Dur­ing this per­for­mance, the baton will be passed between Lewis “Flip” Barnes Jr., Karma Mayet John­son, Micah Gaugh and Mikel Banks.

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Brooklyn and beyond!

What’s up y’all, it’s fall and as the squir­rels know, have to have those chest­nuts pop­pin.
Burnt Sugar has been blessed with upcom­ing hits at the Dywer Cul­tural Cen­ter in Harlem; York Col­lege in Queens; the Blue Note in Man­hat­tan, whew!
The new year blazes in with a Jan­u­ary Joe’s Pub hit with a Sweet­back guest; fol­lowed by  two work-in progress show­ings at BRIC Stu­dio in Feb­ru­ary; topped off with a trip to Paris for the world-debut as Burnt Sugar the Arkestra Cham­ber becomes the 23rd-century Earth Wind & Fire up in here!

And that leads up to what we are up to this com­ing Sun­day and Monday!!.…

SUNDAY(10/18):
Join us for A Bashir Project feat live per­for­mances by Jamila Rae­gan, Burnt Sugar, and DJ WAJEED
A Bashir Project is the launch of a FUNdrais­ing cam­paign for Bashir Oliver, a child with mul­ti­ple dis­abil­i­ties, includ­ing Autism. Spear headed and sup­ported by allied com­mu­ni­ties of artists and activists invested in the future of this beau­ti­ful boy. Pro­ceeds from this event will be used to assist pay­ment of Bashir’s edu­ca­tion, med­ical neces­si­ties, and spe­cial needs not met by the Depart­ment of Edu­ca­tion or Medicaid.

Date: Sun­day, Octo­ber 18th 2009
Doors: 7:00pm — (show starts ’round 8pm)
Venue: Lit­tle­field Per­for­mance & Art Space
www.littlefieldnyc.com
Brook lyn NYC, NY
Address: 622 Degraw Street  (between 3rd and 4th Avenue  –in the Gowanus).
venue phone: 781–855‑3388
Admis sion: $7.00
all ages
Advanced tick­ets: here
*

MONDAY (10/19):
Inter­ac­tive Cell-Structure Ses­sions feat Mar­que Gilmore, Mikel Banks, Greg Tate, Burnt Sugar
PRESENTED BY Mar­que Gilmore & DRUM FM

From the Cre ator of the World’s 1st Inter active Live Jungle/DnB Club comes “Inter­ac­tive Cell-Structure Ses­sions” fea­tur­ing Mar­que Gilmore the inna-most (BK/UK) and Mikel Banks da “Spirit-Hood” (Dust bin Broth ers). With spe­cial guests Greg Tate + mem­bers of Burnt Sugar & sur­prise 12th Planet Funka­teers! A sonic explo­ration into the sub-atomic struc­ture of real­ity and Funque… A full-spectrum Ances­tral analy­sis of Black-Electric pro­gres­sion in a DRUM-FM “Inter­ac­tive Trib­al­is­tic Session”.

(Big ups and wel­come back to Mar­que Gilmore, our brother from Brook­lyn & Stock­holm, Lon­don and South East UK)

Date: Mon day, Octo­ber 19th 2009
Doors: 7:00pm (show starts ’round 8pm)
Venue: Lit­tle­field Per­for­mance & Art Space
www.littlefieldnyc.com
City: Brook lyn NYC, NY
Address: 622 Degraw Street  (between 3rd and 4th Avenue  –in the Gowanus).
Venue phone: 781–855‑3388
Admis sion: $10.00
Age restric tions: 21+
Advanced tick­ets here
*

Terri’s Music Blog - Tues­day, August 25, 2009 — Burnt Sugar @ Joe’s Pub 8/22/09
“I walked up at 9:30 (show­time) and bought a ticket. The band was still get­ting sit­u­ated and didn’t start until about 9:45 — 9:50. There were so many of them, some­thing like 17–20 musi­cians. The 2 key­boards had to be on the floor, by the stage. There was a seg­ment when the trom­bone player was stand­ing off­stage, behind the cur­tain, and play­ing the trom­bone through the cur­tain, effec­tively onstage. That’s how crowded it was up there.

And it was off the hook. From start to fin­ish, fab­u­lous. It was tight in the crowd, too. I didn’t know if I was going to be able to stay at first. I was feel­ing claus­tro­pho­bic. They shouldn’t have had the stools at the bar. But once the music started, there was no pry­ing me out of there. It was incred­i­ble. That huge ensem­ble really put it out until they had to get off the stage at 11. I have to make a point of see­ing them more often. That’s how I left, want­ing more, more, more.“
*

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Interactive Cell-Structure Sessions feat Marque Gilmore, Mikel Banks, Greg Tate, Burnt Sugar

PRESENTED BY Mar­que Gilmore & DRUM FM

From the Cre­ator of the World’s 1st Inter­ac­tive Live Jungle/DnB Club comes “Inter­ac­tive Cell-Structure Ses­sions” fea­tur­ing Mar­que Gilmore the inna-most (BK/UK) and Mikel Banks da “Spirit-Hood” (Dust­bin Broth­ers). With spe­cial guests Greg Tate + mem­bers of Burnt Sugar & sur­prise 12th Planet Funka­teers! A sonic explo­ration into the sub-atomic struc­ture of real­ity and Funque.…a full-spectrum Ances­tral analy­sis of Black-Electric pro­gres­sion in a DRUM-FM “Inter­ac­tive Trib­al­is­tic Session.

Interactive Cell-Structure SessionsInteractive Cell-Structure Sessions 1

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Join us for A Bashir Project feat live performances by Jamila Raegan, Burnt Sugar, and DJ WAJEED

A Bashir Project FUNdrasierA Bashir Project is the launch of a FUNdrais­ing cam­paign for Bashir Oliver, a child with mul­ti­ple dis­abil­i­ties, includ­ing Autism. Spear­headed and sup­ported by allied com­mu­ni­ties of artists and activists invested in the future of this beau­ti­ful boy. Pro­ceeds from this event will be used to assist pay­ment of Bashir’s edu­ca­tion, med­ical neces­si­ties, and spe­cial needs not met by the Depart­ment of Edu­ca­tion or Medicaid.

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Ortlieb’s Jazzhaus, Philadelphia PA

Burnt Sugar plays Ortlieb's Jazzhaus, Philadelphia

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It got hot ‘up norf’

The swift blaze of a hot fire is a rare thing “up norf” on the shores of Lake Ontario. But it did get a lit­tle warm dur­ing Burnt Sugar’s visit to Har­bour Front in Toronto… and not just from the com­bustible con­coc­tion the Suga’ peo­ple cooked up… but from bright-sunny days, upper 70’s weather-uncharacteristically still going strong at the end of the north’s sum­mer (which is known to flip into the next sea­son with only a day’s notice after the offi­cial change date), a Hot & Spicy Food Fes­ti­val, the Rebirth Brass Band and the great Irma Thomas sound­ing like she’s still 25 years old, all within a hun­dred yards from one another, day in and day out to boot!

What more can a musi­cian ask for on a gig than good food, good music and respect?  The crew this ’round was Greg Tate, Trevor Holder, Jared Nick­er­son, Moist Paula Hen­der­son, Mazz Swift, Dave Smith, Ben Tyree, Yours Truly… and our lovely road man­ager — LaRonda Davis.

The respect of Burnt Sugar weighed noth­ing against the honor of corn!  I thought there was a short­age of corn in Canada the way folk lined up for roasted corn on the cob and corn soup at a ven­dor near our tent. I men­tioned to sev­eral peo­ple how I would have par­boiled them jok­ers, threw some spice on then put them over some hard­wood char­coal for a grill-finish… whew-buddy!
But of course it would have not been the same and that is why I would not have had the line my brethren did at their spot… the con­nois­seur knew bet­ter… and more power to the ven­dors who did as well!

Other than that, it was Burnt Sugar in the morn­ing (work­shop) and Burnt Sugar in the evening (kickin’ it live and off the top of the dome) in the Brig­an­tine Room.

We had a good ol’ time and musi­cal exper­i­men­ta­tion was at a high other than the moment we slipped into “Shake Your Body Down (To the Ground)” 2-thirds into the hour & 1/2 set the 1st night we played in Toronto and our con­duc­tor, Mr. Greg Tate even put a spin on that, hav­ing vio­lin­ist Mazz Swift riff on the string parts and sing only part of the lyrics after he, for 5 min­utes or so teased the audi­ence with var­i­ous Michael Jack­son sam­ples on his lap­top segued by some roman­tic piano pas­sages totally unre­lated to MJ’s music. BRILLIANT! There’s a lot to be said about build­ing ideas on a reg­u­lar stage in the same room under the con­di­tions pre­vi­ously mentioned.…(even though it was only 2 nights).

The chal­lenge becomes that of the audi­ence and famil­iar­ity could never breed con­tempt amongst Burnt Sugar peo­ple… and I say that with love for our audi­ence.  So yes, it was fresh every time we hit the stage and hope­fully we inspired a few souls!  Oh, did I men­tion we held work­shops also?   The work­shops were a joy too!   It went some­thing like this: A few musi­cians got word we were doing work­shops “up norf” in the early after­noon of Sun­day and Mon­day, and joined us at the bay.

There was a man­dolin­ist, a bas­soon­ist, a Gu zhenge (Chi­nese zither) player, a percussionist/keyboardist and a vocal­ist.   Greg invited them on stage along with their instru­ments to help us cre­ate a brew for the teach­ing…, then he broke down the sci­ence of con­duc­tion while the audi­ence lis­tened…  the  band dis­played some musi­cal ideas that Greg began to shape with his baton and there we were with a new con­fig­u­ra­tion of sound!  Now, there was no way we were leav­ing that happy-smiling audi­ence of love out of the fun on this beau­ti­ful afternoon!

This was our chance to cre­ate a small city of north­ern cacoph­ony caramelized by the “Sugar… So Greg granted me the baton and I took the plea­sure of includ­ing and facil­i­tat­ing the sur­round­ing audi­ence in Burnt Sugar mad­ness… I indoc­tri­nated them into the band through a brief expla­na­tion of what we are, the ele­ments we draw from (by hav­ing the band play sev­eral styles of music in the purest form pos­si­ble) and how they could add, sub­tract and apply them­selves to this mad math called Con­duc­tion!  I got them chant­ing, singing, doing call & response, yelling, beat-boxing, you name it…!  Cued them in and out, played with the space Greg and the band cre­ated and sweat like crazy!

As you can imag­ine, kids are brave but ini­tially shy… so when they open up they often express them­selves with the all encom­pass­ing SCREAM!!!  I heard that por­tion was a bit unbear­able for some band mem­bers… and I’ll take the blame for that… next time I’ll pull back on that mic… sorry guys.  Like John Lee Hooker said: “they got to get it out”.   After a few moments, sev­eral adults in the crowd began to raise their hands to get my atten­tion so they could spew some new found ideas in the micro­phone I was hold­ing… one cat blew some sweet notes into a bot­tle and there was this lit­tle girl who walked and ran with me because she kept com­ing up with ideas and was lov­ing the rhythm of the band!  She was great!

Oh yeah baby, hot fun at the end of sum­mer­time is what it was! Folks laid out on the grass with their kids crawl­ing on them, try­ing to sing with mouths full of veg­gie hot dogs drip­ping condi­ments in their laps, kids try­ing to scat but end up spit­ting into the mic, I move to the next inspired indi­vid­ual who wants the mic… so I wipe it on my shirt under my arm because I know they just saw that other kid spit all over it…, mean­time, some mys­te­ri­ous lady from some­where in the caribbean has been hold­ing her hand out for the mic because she has a musi­cal idea she wants to share with the world… yeah, they were carmelizin’ in the sun on the most mag­nif­i­cent astro turf that side of the NFL has ever seen!  If I may say so, I think we sort-a set things off on Sun­day and Monday!

The fes­ti­val itself drew love… I never saw a fes­ti­val with so many cou­ples and fam­i­lies all hugged up, no drama and enjoy­ing the music like this… They could’ve called this the Hot & Spicy Love Fes­ti­val! Right on to the fes­ti­val orga­niz­ers at the Har­bour Front in Toronto! You made it lovely!

I must admit, I am a fan of the north­ern cli­mate and I won­der if there are oth­ers in my fam­ily who like it “up norf”…I ask because they’re from the south… Lol!  Oh well, I love it!  What can I say!?  When we trek north I get all warm inside!  I grew up in New York City and I guess I’m one who feels I must prac­tice life in the harsh­est con­di­tions to enjoy life in the (decep­tively) mildest. Can you com­plete this com­pound word — BULL…!?   I just want the fresh­est trout I can get my hands on, a view of a great lake or ocean which offers a sense of free­dom and the feel­ing that nature is on my side!  So, yeah, baby!  I get caramelized up north, Burnt Sugar style.

- B. Mack

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Blue Note New York City, NY, 11/16/09

Monday, Nov 16, 2009

Mon­day, Nov 16, 2009

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Chicago, IL, 09/14/09

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Chicago, IL, 09/14/09

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Welcome to our new site

We’re just mov­ing in — things may feel a bit rough around the edges — but we’re jump­ing in.

Keep com­ing back over the next few days as we unpack.

(Be sure to sub­scribe to our RSS feed for updates)

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Buffalo, NY, 09/04/09

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