Burnt Sugar Salutes and re-imagines James Brown at The Apollo

Dur­ing a Salon Series res­i­dency on the Apollo Theater’s Sound Stage, Burnt Sugar the Arkestra Cham­ber will re-orchestrate sev­eral medley’s taken from James Brown’s 3 ‘Live At The Apollo’ albums for the 14-member Arkestra’s array of gui­tars, strings, horns, key­boards, per­cus­sion and voices. We will re-imagine these pieces in the styles of Brown’s con­tem­po­raries Miles Davis, John Coltrane, Nina Simone and Jimi Hendrix.The group will also develop a mul­ti­me­dia works-in-progress com­po­nent with  a visual artist and a director/choreographer TBA. These exper­i­ments will cul­mi­nate in two evenings of per­for­mance in the Salon. Dates to be con­firmed — stay tuned.

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Sweet Sweetback’s Baadaass Song — Streaming Live from Paris!!

Thanks to the efforts of our amaz­ing French hosts at Sons D’Hiver & Arte Live Web — we’re happy to invite you to join us for the sec­ond night of “Sweet Sweetback’s Baadaass Song: A Hood Opera” Sat­ur­day, Feb­ru­ary 20, 2010. 8:30 pm Paris time — 2:30pm East­ern Stan­dard time!

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Sweetback Caught in the Act on Brooklyn Independent Television

Many thanks and a HUGE shout out to Brook­lyn Inde­pen­dent Tele­vi­sion, a com­mu­nity media pro­gram of BRIC Arts | Media | Bklyn !

Check them out here

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Ben Sisario profiles Melvin Van Peebles at The NY Times

“ASK Melvin Van Pee­bles about his legacy, and you get a snort, a gri­mace, a wave of the hand, a game-show error buzz and a finely punc­tu­ated “come on.” “I didn’t even know I had a legacy,” he said between rehearsals for his lat­est project, a musical-theater adap­ta­tion of his 1971 film “Sweet Sweetback’s Baadasssss Song.” “I do what I want to do.”

The story includes audio excerpts of the interview.

Check it out here at  NY Times Online

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Sweet Sweetback’s Baadasssss Song (the Hood Opera)

The unfor­get­table Melvin Van Pee­bles’ movie Sweet Sweetback’s Baadasssss Song (1971) is an iconic work of Afro-American cin­ema and the begin­nings of Blax­ploita­tion. It was one the biggest suc­cesses in the inde­pen­dent film-making and still has a huge influ­ence over the hip-hop cul­ture. Melvin Van Pee­bles’ own com­po­si­tions really deter­mine the action by invent­ing some­thing com­pletely new, a funky cin­ema, thick, sweaty, and panting.

The free­dom of speech and coarse­ness of some scenes, strongly con­trast with Hollywood’s puri­tanism as well as the way he shows the Afro-American com­mu­nity from the inside. The sex­ual exploits of the hero, his run­away to Mex­ico with the police on his trail, the cease­less race on the verge of exhaus­tion of this man, still stand­ing up, always at odds with soci­ety; the whole story com­poses a sig­nif­i­cant metaphor of Back men dif­fi­cul­ties in the Amer­i­can soci­ety of that time.

The film becomes now an opera, and a world pre­miere for Sons d’hiver fes­ti­val, led by Melvin Van Pee­bles him­self! Greg Tate and Burnt Sugar the Arkestra Cham­ber pro­vide the musi­cal part. As a mat­ter of fact, the idea is not to replay the orig­i­nal but to adapt this unique work for the stage in a con­tem­po­rary way. Co-founder of the Black Rock Coali­tion, Greg Tate and his Burnt Sugar Arkestra seems the per­fect ensem­ble to take up the chal­lenge, car­ry­ing on the her­itage of a cer­tain Black music from Duke Elling­ton to the Art Ensem­ble of Chicago to Funkadelic and Sun Ra.

Sweet Sweetback’s Baadasssss Song (the Hood Opera) is a musi­cal adap­ta­tion writ­ten,  com­posed and directed by Mr. Van Pee­bles: devel­oped in res­i­dence at The Apollo The­ater Salon Series, Harlem NY and at BRIC Arts | Media | Bklyn, Brook­lyn, NY.  The pro­duc­tion will have it’s world pre­miere at the Sons d’hiver Fes­ti­val in Paris, France at Mai­son des Arts on Fri­day, Feb­ru­ary 19th & Sat­ur­day, Feb­ru­ary 20th, 2010 pro­cured by Jared Michael Nick­er­son for Burnt Sugar Index LLC.

Best known as the “God­fa­ther of inde­pen­dent film and mod­ern black cin­ema,” Melvin Van Pee­bles has also dis­tin­guished him­self in an impres­sive list of other aspects of the enter­tain­ment indus­try – as a direc­tor, pro­ducer, writer, and com­poser.  He is an Emmy award-winner and has received two NAACP Awards in addi­tion to three Grammy nom­i­na­tions and eleven Tony nom­i­na­tions.  He pub­lished five nov­els in French, one of which became the basis of his first fea­ture, a French film enti­tled, La Per­mis­sion” (The Story of A Three Day Pass), which won the Critic’s Choice Award at the 1967 San Fran­cisco Film Fes­ti­val.  He became the first black direc­tor to shoot a film in Hol­ly­wood with his film Water­man Man and he used the money he earned from this project to finance his next fea­ture, Sweet Sweetback’s Baadasssss Song. He later went on to write and com­pose two Tony Award-nominated Broad­way musi­cals, Ain’t Sup­posed to Die a Nat­ural Death and Don’t Play Us Cheap.  In tele­vi­sion, Van Pee­bles wrote the screen­play for a CBS movie pilot Just an Old Sweet Song (1976) fol­lowed by the sequel Down Home.  He wrote and acted in Sophis­ti­cated Gents and also wrote the Emmy award-winning after school spe­cial, The Day They Came to Arrest the Book.  Most recently he starred in his off-Broadway show, Unmit­i­gated Truth (Life, a Lava­tory, Loves & Ladies), directed and starred in the film Con­fes­sions of a Ex-Doofus Intchy Footed Mutha, and was also awarded the pres­ti­gious French Legion of Honor.

Writ­ten and Directed by Melvin Van Pee­bles
Fea­tur­ing the Hood Opera Cast and Burnt Sugar the Arkestra Chamber

Alfred Preisser            Cre­ative Con­sul­tant to the Direc­tor
Jared Nick­er­son        Gen­eral Man­ager
Grier Cole­man            Wardrobe Super­vi­sor
Kim­berly Glen­non        Wardrobe Coor­di­na­tor
LaRonda Davis            Com­pany Man­ager
Naima Ince            Director’s Assistant

Cast
(in alpha­bet­i­cal order)

Chelsea Adewunmi
Roger Binette
Alex Dittmer
Jef­fery Glaser
Jere­miah Grif­fen
Tracy Jack  — Chore­o­g­ra­pher
Karma Mayet John­son
Der­rin Maxwell
Kim­ber­lee Mon­roe
Jacque­line Thuener-Rego
Lelund Durond Thomp­son
Gillian Wig­gin
Reji­nald Woods

Burnt Sugar the Arkestra Cham­ber — Sweet­back Edi­tion
(in alpha­bet­i­cal order)

Lewis “Flip” Barnes Jr.         Trum­pet
Mikel Banks             Har­mon­ica, Flute and Freak-A-Phone
Jason DiMat­teo             Acoustic Bass
Christo­pher Eddle­ton         Drums
Avram Fefer             Tenor Sax
Micah Gaugh             Alto Sax
“Moist” Paula Hen­der­son     Bari­tone Sax
Andre Las­salle             Gui­tar
Bruce Mack             Key­boards
William Mar­tina         Cello
Jared Michael Nick­er­son     Elec­tric Bass
David Smith             Trom­bone
Mazz Swift             Elec­tric Vio­lin
Gre­gory S. Tate         Musi­cal Direc­tor, Guitar

www.sonsdhiver.org

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Happy 2010 to all the love warriors

Happy 2010 to all the love warriors

Happy 2010 to all the love warriors

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THE 10TH ANNIVERSARY CELEBRATION CONTINUES!

The 10th anniversary celebration continues

Burnt Sugar the Arkestra Cham­ber brings our genre-bending live show to York College’s Per­form­ing Art Cen­ter in Queens on Fri­day, Novem­ber 13th & The World Famous Blue Note in Man­hat­tan on Mon­day, Novem­ber 16th.

Wit­ness the next step in the evo­lu­tion of The Arkestra Cham­ber as “Pass the Baton” makes its NYC area debut at York College’s Per­form­ing Art Cen­ter on Fri­day, Novem­ber 13.

Road tested (and Burnt Sugar approved) in Chicago, Philadel­phia and Wilm­ing­ton, Delaware; “Pass the Baton” is Greg Tate’s lat­est Burnt Sugar brain-child. With the pass of a baton, Con­duc­tion duties are shared between mem­bers of the band. The result is a dynamic multi fla­vored per­for­mance as each con­duc­tor adds their fla­vor to the pot.

Dur­ing this per­for­mance, the baton will be passed between Lewis “Flip” Barnes, Karma Mayet John­son, Micah Gaugh and Mikel Banks.

On Mon­day, Novem­ber 16, Burnt Sugar returns to The Blue Note NYC for 2 evening per­for­mances con­ducted by Greg Tate.

We hope you’ll come out both nights and expe­ri­ence the groova­cious funk-a-fied ver­sa­til­ity of the Arkestra Cham­ber. — As it’s been said,  Burnt Sugar never plays a song the same way once.

With the Autumn weather chill in full effect (and our last Man­hat­tan show being on the sold-out tip), we advise you to buy your tick­ets in advance and walk right though the door.

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Brooklyn and beyond!

What’s up y’all, it’s fall and as the squir­rels know, have to have those chest­nuts pop­pin.
Burnt Sugar has been blessed with upcom­ing hits at the Dywer Cul­tural Cen­ter in Harlem; York Col­lege in Queens; the Blue Note in Man­hat­tan, whew!
The new year blazes in with a Jan­u­ary Joe’s Pub hit with a Sweet­back guest; fol­lowed by  two work-in progress show­ings at BRIC Stu­dio in Feb­ru­ary; topped off with a trip to Paris for the world-debut as Burnt Sugar the Arkestra Cham­ber becomes the 23rd-century Earth Wind & Fire up in here!

And that leads up to what we are up to this com­ing Sun­day and Monday!!.…

SUNDAY(10/18):
Join us for A Bashir Project feat live per­for­mances by Jamila Rae­gan, Burnt Sugar, and DJ WAJEED
A Bashir Project is the launch of a FUNdrais­ing cam­paign for Bashir Oliver, a child with mul­ti­ple dis­abil­i­ties, includ­ing Autism. Spear headed and sup­ported by allied com­mu­ni­ties of artists and activists invested in the future of this beau­ti­ful boy. Pro­ceeds from this event will be used to assist pay­ment of Bashir’s edu­ca­tion, med­ical neces­si­ties, and spe­cial needs not met by the Depart­ment of Edu­ca­tion or Medicaid.

Date: Sun­day, Octo­ber 18th 2009
Doors: 7:00pm — (show starts ’round 8pm)
Venue: Lit­tle­field Per­for­mance & Art Space
www.littlefieldnyc.com
Brook lyn NYC, NY
Address: 622 Degraw Street  (between 3rd and 4th Avenue  –in the Gowanus).
venue phone: 781–855‑3388
Admis sion: $7.00
all ages
Advanced tick­ets: here
*

MONDAY (10/19):
Inter­ac­tive Cell-Structure Ses­sions feat Mar­que Gilmore, Mikel Banks, Greg Tate, Burnt Sugar
PRESENTED BY Mar­que Gilmore & DRUM FM

From the Cre ator of the World’s 1st Inter active Live Jungle/DnB Club comes “Inter­ac­tive Cell-Structure Ses­sions” fea­tur­ing Mar­que Gilmore the inna-most (BK/UK) and Mikel Banks da “Spirit-Hood” (Dust bin Broth ers). With spe­cial guests Greg Tate + mem­bers of Burnt Sugar & sur­prise 12th Planet Funka­teers! A sonic explo­ration into the sub-atomic struc­ture of real­ity and Funque… A full-spectrum Ances­tral analy­sis of Black-Electric pro­gres­sion in a DRUM-FM “Inter­ac­tive Trib­al­is­tic Session”.

(Big ups and wel­come back to Mar­que Gilmore, our brother from Brook­lyn & Stock­holm, Lon­don and South East UK)

Date: Mon day, Octo­ber 19th 2009
Doors: 7:00pm (show starts ’round 8pm)
Venue: Lit­tle­field Per­for­mance & Art Space
www.littlefieldnyc.com
City: Brook lyn NYC, NY
Address: 622 Degraw Street  (between 3rd and 4th Avenue  –in the Gowanus).
Venue phone: 781–855‑3388
Admis sion: $10.00
Age restric tions: 21+
Advanced tick­ets here
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Terri’s Music Blog - Tues­day, August 25, 2009 — Burnt Sugar @ Joe’s Pub 8/22/09
“I walked up at 9:30 (show­time) and bought a ticket. The band was still get­ting sit­u­ated and didn’t start until about 9:45 — 9:50. There were so many of them, some­thing like 17–20 musi­cians. The 2 key­boards had to be on the floor, by the stage. There was a seg­ment when the trom­bone player was stand­ing off­stage, behind the cur­tain, and play­ing the trom­bone through the cur­tain, effec­tively onstage. That’s how crowded it was up there.

And it was off the hook. From start to fin­ish, fab­u­lous. It was tight in the crowd, too. I didn’t know if I was going to be able to stay at first. I was feel­ing claus­tro­pho­bic. They shouldn’t have had the stools at the bar. But once the music started, there was no pry­ing me out of there. It was incred­i­ble. That huge ensem­ble really put it out until they had to get off the stage at 11. I have to make a point of see­ing them more often. That’s how I left, want­ing more, more, more.“
*

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It got hot ‘up norf’

The swift blaze of a hot fire is a rare thing “up norf” on the shores of Lake Ontario. But it did get a lit­tle warm dur­ing Burnt Sugar’s visit to Har­bour Front in Toronto… and not just from the com­bustible con­coc­tion the Suga’ peo­ple cooked up… but from bright-sunny days, upper 70’s weather-uncharacteristically still going strong at the end of the north’s sum­mer (which is known to flip into the next sea­son with only a day’s notice after the offi­cial change date), a Hot & Spicy Food Fes­ti­val, the Rebirth Brass Band and the great Irma Thomas sound­ing like she’s still 25 years old, all within a hun­dred yards from one another, day in and day out to boot!

What more can a musi­cian ask for on a gig than good food, good music and respect?  The crew this ’round was Greg Tate, Trevor Holder, Jared Nick­er­son, Moist Paula Hen­der­son, Mazz Swift, Dave Smith, Ben Tyree, Yours Truly… and our lovely road man­ager — LaRonda Davis.

The respect of Burnt Sugar weighed noth­ing against the honor of corn!  I thought there was a short­age of corn in Canada the way folk lined up for roasted corn on the cob and corn soup at a ven­dor near our tent. I men­tioned to sev­eral peo­ple how I would have par­boiled them jok­ers, threw some spice on then put them over some hard­wood char­coal for a grill-finish… whew-buddy!
But of course it would have not been the same and that is why I would not have had the line my brethren did at their spot… the con­nois­seur knew bet­ter… and more power to the ven­dors who did as well!

Other than that, it was Burnt Sugar in the morn­ing (work­shop) and Burnt Sugar in the evening (kickin’ it live and off the top of the dome) in the Brig­an­tine Room.

We had a good ol’ time and musi­cal exper­i­men­ta­tion was at a high other than the moment we slipped into “Shake Your Body Down (To the Ground)” 2-thirds into the hour & 1/2 set the 1st night we played in Toronto and our con­duc­tor, Mr. Greg Tate even put a spin on that, hav­ing vio­lin­ist Mazz Swift riff on the string parts and sing only part of the lyrics after he, for 5 min­utes or so teased the audi­ence with var­i­ous Michael Jack­son sam­ples on his lap­top segued by some roman­tic piano pas­sages totally unre­lated to MJ’s music. BRILLIANT! There’s a lot to be said about build­ing ideas on a reg­u­lar stage in the same room under the con­di­tions pre­vi­ously mentioned.…(even though it was only 2 nights).

The chal­lenge becomes that of the audi­ence and famil­iar­ity could never breed con­tempt amongst Burnt Sugar peo­ple… and I say that with love for our audi­ence.  So yes, it was fresh every time we hit the stage and hope­fully we inspired a few souls!  Oh, did I men­tion we held work­shops also?   The work­shops were a joy too!   It went some­thing like this: A few musi­cians got word we were doing work­shops “up norf” in the early after­noon of Sun­day and Mon­day, and joined us at the bay.

There was a man­dolin­ist, a bas­soon­ist, a Gu zhenge (Chi­nese zither) player, a percussionist/keyboardist and a vocal­ist.   Greg invited them on stage along with their instru­ments to help us cre­ate a brew for the teach­ing…, then he broke down the sci­ence of con­duc­tion while the audi­ence lis­tened…  the  band dis­played some musi­cal ideas that Greg began to shape with his baton and there we were with a new con­fig­u­ra­tion of sound!  Now, there was no way we were leav­ing that happy-smiling audi­ence of love out of the fun on this beau­ti­ful afternoon!

This was our chance to cre­ate a small city of north­ern cacoph­ony caramelized by the “Sugar… So Greg granted me the baton and I took the plea­sure of includ­ing and facil­i­tat­ing the sur­round­ing audi­ence in Burnt Sugar mad­ness… I indoc­tri­nated them into the band through a brief expla­na­tion of what we are, the ele­ments we draw from (by hav­ing the band play sev­eral styles of music in the purest form pos­si­ble) and how they could add, sub­tract and apply them­selves to this mad math called Con­duc­tion!  I got them chant­ing, singing, doing call & response, yelling, beat-boxing, you name it…!  Cued them in and out, played with the space Greg and the band cre­ated and sweat like crazy!

As you can imag­ine, kids are brave but ini­tially shy… so when they open up they often express them­selves with the all encom­pass­ing SCREAM!!!  I heard that por­tion was a bit unbear­able for some band mem­bers… and I’ll take the blame for that… next time I’ll pull back on that mic… sorry guys.  Like John Lee Hooker said: “they got to get it out”.   After a few moments, sev­eral adults in the crowd began to raise their hands to get my atten­tion so they could spew some new found ideas in the micro­phone I was hold­ing… one cat blew some sweet notes into a bot­tle and there was this lit­tle girl who walked and ran with me because she kept com­ing up with ideas and was lov­ing the rhythm of the band!  She was great!

Oh yeah baby, hot fun at the end of sum­mer­time is what it was! Folks laid out on the grass with their kids crawl­ing on them, try­ing to sing with mouths full of veg­gie hot dogs drip­ping condi­ments in their laps, kids try­ing to scat but end up spit­ting into the mic, I move to the next inspired indi­vid­ual who wants the mic… so I wipe it on my shirt under my arm because I know they just saw that other kid spit all over it…, mean­time, some mys­te­ri­ous lady from some­where in the caribbean has been hold­ing her hand out for the mic because she has a musi­cal idea she wants to share with the world… yeah, they were carmelizin’ in the sun on the most mag­nif­i­cent astro turf that side of the NFL has ever seen!  If I may say so, I think we sort-a set things off on Sun­day and Monday!

The fes­ti­val itself drew love… I never saw a fes­ti­val with so many cou­ples and fam­i­lies all hugged up, no drama and enjoy­ing the music like this… They could’ve called this the Hot & Spicy Love Fes­ti­val! Right on to the fes­ti­val orga­niz­ers at the Har­bour Front in Toronto! You made it lovely!

I must admit, I am a fan of the north­ern cli­mate and I won­der if there are oth­ers in my fam­ily who like it “up norf”…I ask because they’re from the south… Lol!  Oh well, I love it!  What can I say!?  When we trek north I get all warm inside!  I grew up in New York City and I guess I’m one who feels I must prac­tice life in the harsh­est con­di­tions to enjoy life in the (decep­tively) mildest. Can you com­plete this com­pound word — BULL…!?   I just want the fresh­est trout I can get my hands on, a view of a great lake or ocean which offers a sense of free­dom and the feel­ing that nature is on my side!  So, yeah, baby!  I get caramelized up north, Burnt Sugar style.

- B. Mack

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Welcome to our new site

We’re just mov­ing in — things may feel a bit rough around the edges — but we’re jump­ing in.

Keep com­ing back over the next few days as we unpack.

(Be sure to sub­scribe to our RSS feed for updates)

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March 2009 “Making Love to the Dark Ages

Well it’s d-day y’all as the Sugar drops it’s first all-studio release in five years on LiveWired/TruGROID. It doesn’t seem that long but that’s what hap­pens with a band that has twenty-minute segues. In other words… time flies by when your mak­ing extended-jammy music. Ya heard!!

The reviews are start­ing to hap­pen and we wanted to give you a taste of what the crit­ics have to say. If you’re already a fan, we love you for it, if you are new to the sugar-express, hope­fully these crit­i­cal tid­bits will whet your appetite, lead you to your favorite music retailer for a taste of the Arkestra Chamber.

On the live tip, it’s been a minute there too, so let’s get this party started at our next hit at the World Famous Blue Note in Man­hat­tan ( 131 West 4th Street off of Sixth Avenue — for reser­va­tions call 212–475-8592 ) on March 27th for their Late Night Groove series. Cost is agree­able, and doors open at 11:30pm with show­time at 12:30am and believe me.… after a minute of silence Greg and the band will have plenty to say.


Blog­Crit­ics Online Mag­a­zine

Writ­ten by Richard Mar­cus
Pub­lished March 15, 2009

“Jazz and impro­vi­sa­tion have gone together like bread and but­ter since the first player stepped out to blow a lead. There is some­thing about the music that just lends itself to allow­ing musi­cians the free­dom to explore all a piece of music has to offer. How­ever, it’s jazz’s free-form nature which seems to have worked against its inte­gra­tion with orches­tral works. Although mod­ern com­posers have drawn upon many other ele­ments of con­tem­po­rary music and tech­nolo­gies, orches­tral and jazz haven’t seemed to be able to find the com­fort zone where they can blend eas­ily…”
read the entire piece here

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DOWNBEAT Mag­a­zine
April, 200
by Bill Shoemaker

Burnt Sugar the Arkestra Cham­ber
Mak­ing Love To The Dark Ages
LIVEWIRED MUSIC 1002
***1/2 stars
Tri­an­gu­lat­ing Afro-futurism and Butch Mor­ris’ con­duc­tion cue lex­i­con is a heady propo­si­tion on paper, but Burnt Sugar’s ring­leader Greg Tate’s approach yields fluid, funk-fortified music. While there are moments that flash with antecedents–
usu­ally located some­where in the mid– ‘70s, but reach­ing occa­sion­ally as far back as the ‘40s-Burnt Sugar has it’s own sound. there’s a cadre of horn play­ers who cover the post-Ornette Cole­man water­front with ease ( includ­ing Matana Roberts and Avram Fefer ), rhythm sec­tions who can lock into a groove but also sud­denly pivot, and a suf­fi­cient array of tex­tures ( some ema­nat­ing from Tate’s lap­top ) and sear­ing walk-ons by Vijay Iyer and Ver­non Reid that morph the ensem­ble sound from track to track.
Burnt Sugar is at it’s elas­tic best dur­ing extended work-outs like the sec­ond sec­tion of “Chains and Water,” “Thorazine/81″ and the title piece. How­ever some of the album’s high points occur in the more tightly scripted pieces like the first part of “Chains and Water,” a throb­bing, harmonica-laced holler fea­tur­ing Lisala, a com­pelling singer. But there are also a few mis­cues in the more struc­tured pas­sages. In the bop­pish tag that con­cludes “Chains And Water,” Lewis Barnes’ trum­pet is frac­tured by a psy­che­delic mix. A syn­the­sized osti­nato threat­ens to sti­fle the album-ending title piece, but vio­lin­ist Mazz Swift pre­vails with a syn­the­sis of Leroy Jenk­ins and Papa John Creach, mak­ing a last­ing impres­sion.”
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March 2009 issue of Jaz­zTimes
Burnt Sugar the Arkestra Cham­ber
Mak­ing Love to the Dark Ages
LiveWired
By Steve Green­lee
“Tate works with a huge array of musi­cians on Mak­ing Love to the Dark Ages, and he knows how to use them. Trum­peter Lewis “Flip” Barnes Jr. turns in a solo on “Chains and Water” that grows more and more dis­cor­dant before the tune takes on a hip-hop bent that becomes an all-out jam in the long mid­dle section—which, in turn, leads into a brief final sec­tion of Ellington-inspired swing. (Whew.)
More wild­ness ensues: The heavy romp of “Thorazine/81” teeters at the edge of chaos for much of its nine-and-a-half min­utes, and an unusual cross of hip-hop and free-jazz-style solo­ing (from bass clar­inet, no less) threat­ens to cre­ate a new species of music on “Love to Tical.” Then Tate goes fur­ther afield, using his lap­top to cre­ate a rhythm of blips and beeps on the bal­lad “Dom­i­nata” and a back­drop of noises on the 18-minute title track. And what a tune: Mys­te­ri­ous, tense, and dra­matic, it builds toward sev­eral high­lights, includ­ing a fan­tas­tic solo from bari­tone sax­o­phon­ist “Moist” Paula Henderson.”

Read the arti­cle here

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March 2009 issue of Jaz­zTimes
Greg Tate’s Burnt Sugar the Arkestra Cham­ber: Paint the Sky Red
By Bill Milkowski
“On Mak­ing Love to the Dark Ages (LiveWired), the lat­est record­ing by Burnt Sugar the Arkestra Cham­ber, Tate wields a baton along with a lap­top and occa­sion­ally his trusty gui­tar. The results range from his expan­sive med­i­ta­tion on slav­ery, “Chains and Water,” full of free-blowing con­ver­sa­tions between the horns and soul­ful vocals sup­plied by dynamic singer Lisala, to the elec­tric Miles-ish groover “Love to Tical,” to the dream­like, ambi­ent, Eno-meets-Teo sound­scape “Dom­i­nata,” which incor­po­rates his auda­cious lap­top exper­i­ments, to an intrigu­ing mashup of Tate’s funky “Tho­razine” with the Ron Carter-Miles Davis com­po­si­tion “Eighty-One” (from E.S.P.).
Tate’s ensem­ble com­prises such high-caliber play­ers as key­boardist Vijay Iyer, bassist Jared Nick­er­son, trum­peter Lewis “Flip” Barnes, alto sax­o­phon­ists Matana Roberts and Avram Fefer, bari­tone sax­o­phon­ist Paula Hen­der­son, gui­tarists Ben Tyree and Rene Akan and vocal­ists Lisala, Karma John­son, Abby Dob­son and Jus­tice Dilla X. Spe­cial guest gui­tarist Ver­non Reid explodes with fero­cious metal-esque aban­don on “Love to Tical.” Says Tate of the Liv­ing Colour founder, “Vernon’s like a damn Fer­rari, man! He can start where most gui­tar play­ers cli­max, and then he keeps on tak­ing it out from there. In the midst of an improv piece you just call on Ver­non and … bam! He’s set­ting land speed records.”
read the arti­cle here

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January & February 2008

It’s 2008 and we feel blessed to get it started in a new way with Rashida Bum­bray bring­ing us to The Kitchen for two nights on Jan­u­ary 18th & 19th to re-create our More Than Posthu­man — Rise of the Mojo­sex­ual Cot­til­ion jam­mee. Sparlha Swa will also be in the house with her group and those in the know, know she’s fly!! Two nights so you can come back and not have to pinch your­self as if.….….did that really hap­pen. One hang-up though with only 150 tick­ets each night, it will be tight and we don’t want you hangin out in the cold, so buy in advance and be assured your place in Burnt-Sugar Space. Might even have some new Arkestra Cham­ber merch so be the first to own and dis­play in your hood!

The Sugar has devel­oped an over-seas love affair that time nor dis­tance can dimin­ish. Between Leda and Fabien of Sons D’Hiver and Nilou and Xavier of Ban­lieues Bleues we can always feel the parisian love. It’s spe­cial and we respond in a spe­cial way. Check our “Not April in Paris” release from a Ban­lieues Bleues March 19th, 2004 per­for­mance. All off the top of our heads yet due to the in-house love, the music flowed like a deep soul river. It’s on disc.….…. check it. Now we return to Son D’Hiver on Feb­ru­ary 2nd at the Espace Cul­turel Andre Mal­raux with a small crew of 18 and look for­ward to con­tin­u­ing express­ing our mojo­sex­ual musi­cal flow. If you’re in Paris, I’d advise you come and soak it up too, as it only hap­pens every few years, and it’s never the same. With Brother Ali on the hit. Ya Heard!!

Clos­ing Feb­ru­ary in a fab way, Moik­gantsi Kgama, Founder & Exec­u­tive Direc­tor and Gre­gory Gates, the Exec­u­tive Pro­ducer of Ima­gena­tion have invited Greg and Burnt Sugar to pro­vide an orig­i­nal score for their “The Micheaux Project” which fea­tures the 1927 silent film “Within Our Gates.” This will go down on the 21st at Lin­coln Center’s Kaplan Pent­house. Imagenation’s gen­er­ous fund­ing will allow Burnt Sugar to acces­sorize the per­form­ing crew with jun­gle per­cus­sion­ist Mar­que Gilmore (fly­ing in from Stock­holm!!) and enlist­ing the immensely tal­ented poet­ess and elec­tronic sound-scape artist Latasha Natasha Nevada Diggs.

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January 2009

It’s the new year and Burnt Sugar the Arkestra Cham­ber is in a cel­e­bra­tory mood!!

We wish each of you a happy and healthy 2009.
2009 com­mences:
–  our tenth year in exis­tence.
– and a boss-banging bunch of events, some we can speak of now, and some we’ll speak of later. (like the release of our first full stu­dio record­ing in five years.)
For the now, come join us on Sun­day, Jan­u­ary 4th at our home-away-from-home Zebu­lon Cafe in Williams­burg, Brook­lyn. There will be music, a toast, more music and much more toast­ing, and
of course we’ll top that off with a dab of even more music.
Zebu­lon Cafe Con­cert
258 Wythe Avenue
Brook­lyn, NY 11211
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On Sat­ur­day, Jan­u­ary 10th, Burnt Sugar will be in effect at Brice Rosenbloom’s Win­ter Jazz Fest with a per­for­mance at 12:40am at Kenny Cast­aways. (Please check http://www.winterjazzfest.com/ for full details. )
If you are involved with the APAP con­fer­ence in Man­hat­tan that weekend, let us know as we can put you on a gratis guest list for our per­for­mance.
We’d love to meet you and make arrange­ments to bring the Burnt Sugar express to your ham­let, city or town.
Kenny’s Cast­aways
157 Bleecker St. btw Sul­li­van & Thomp­son
640p: Ayelet Rose Got­tlieb
740p: By Any Means
feat. William Parker, Charles Gayle, Rashied Ali
840p: Sex­mob plays Sex­ot­ica
940p: Lafayette Gilchrist
1040p: Tar Baby
1140p: Jacob Fred Jazz Odyssey
1240a: Burnt Sugar the Arkestra Cham­ber
140a: Tay­lor Ho Bynum’s Pos­i­tive Cat­a­stro­phe
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Being a new year there’s noth­ing more excit­ing than per­form­ing at a new venue and that’s what we’ll
be doing as Burnt Sugar closes out the month on Fri­day, Jan­u­ary 30th with a first-time appear­ance at
the Multi Media Arts Cen­ter (MMAC) in Bloom­field N.J.  Please check our web­site cal­en­dar page or
myspace page for spe­cific details on all the dates men­tioned above.

Multi Media Arts Cen­ter
562 Bloom­field Avenue
Bloom­field NJ 07003
973–748-6622
www.multimediaartscenter.com/
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With an alumni that amongst oth­ers, con­sists of Vijay Iyer, Matana Roberts, Julia Kent ( Antony & the John­sons ) and Cap­tain Kirk Dou­glas ( The Roots ), we’d like to give a shout-out to our boy, flutist/percussionist and world-renowned instal­la­tion artist Satch Hoyt.
Satch has resided in Berlin the last few years, but that hasn’t stopped him from get­ting his sugar fix as he joined us in Paris last year for our per­for­mance at the Son D’Hiver fes­ti­val and took Lewis Flip Barnes Jr. and Dave Smith into a Paris stu­dio to lay tracks for Satch’s upcom­ing release, “Griots and Cybercrooks.“You can check a few tracks out on Satch’s myspace page  http://www.myspace.com/griotsandcybercrooks
While we are on the sub­ject of record­ing, Satch also has authored a tune on Grace Jones cur­rent release, Hur­ri­cane (PIAS/ Wall of Sound).  His track, “The Funkey” is an addi­tional track on down­load ver­sions and it will only be avail­able on cer­tain ver­sions such as the Japan­ese dig­i­tal down­load­able release.  Get, get get it Satch!!
We have Big, Big news in the com­ing months and that’s all we’ll say.… for now.
Love and Peace in 2009,
Burnt Sugar the Arkestra Chamber

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October — November 2008

Burnt Sugar has accepted Charles Blass’s offer to keep it ghastly with a live sug­ary broad­cast in the stu­dios of WKCR. The music starts at 2am and will go till we drop or becom­ing sanc­ti­fied or are kicked off the premises at 6am!! 89.9FM on your dial, turn it up and scare your neigh­bors!! If you’re still in cos­tume come on by and help us bring the noise!! check WWW.WKCR.ORG
The title of the show says it all, Radio Rit­u­als III Hal­loween Exten­sion with Burnt Sugar the Arkestra Cham­ber Per­form­ing Live on WKCR-FM ’Audio Gumbo’s Late Nite Halloween-Into-Early-in-the-Morning-on-All-Saints’-Day Jammee!!

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Paul Linzy John­son, the brain behind this new live inter­net tv show, “Neworld Mil­len­nium Nation,” is proud to announce that Burnt Sugar the Arkestra Cham­ber to kick off ( it is foot­ball sea­son… ) this new web endeavor. It will be at the Henry Street Set­tle­ment Recital Hall on the 19th and from what we’ve been told, on the web soon after. so be on the look-out for that!

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September 2008

Now this is what We’re talk­ing about!! There’s no love like a love quickly re-affirmed!! It’s back to visit our new friends in Hamil­ton ( the Pep­per Jack Cafe ), Guelph ( The Guelph Jazz Fes­ti­val ) and Toronto ( the Lula Lounge ) Ontario on Sep­tem­ber 5th, 6th and 7th, with a first-time stop in Buf­falo N.Y. on Sep­tem­ber 4th, thanks to Steve Baczkowski & Hall­walls and Craig Reynolds & the Big Orbit Gallery.

While at the Guelph Jazz Fes­ti­val, Greg Tate will also con­duct a work­shop enti­tled “Induc­tion, Deduc­tion, Con­duc­tion: Approaches to Struc­tured Impro­vi­sa­tion.” Greg will give a demon­stra­tion on his ver­sion of Butch Morris’s “Con­duc­tion The­ory” with Lewis “Flip” Barnes Jr., Paula Hen­der­son, Jared Michael Nick­er­son, Stephen Lyons, JP Carter, Jesse Zubot, Hidayat Honari, Gor­don Grdina, Nee­lamjit Dhillon, Hamin Honari, Satoko Fujii, Nat­suki Tamura, Han Ben­nink, Wolter Wier­bos, Mary Oliver, Michael Moore musi­cally inter­pret­ing his baton strokes.

Up in Harlem on the 21st and the Sugar is amped to be in the mix on this event, and we appre­ci­ate Kim Knox for invit­ing us. Here’s how it’s going to play out at the Harlem Stage Gate­house. As part of a three-act series, Act I: Let There Be House/House Decon­structed will be a jour­ney through the matrix that is house music. Reign­ing DJ’s Reborn, Selly, Moni & shE­rOck will play indi­vid­ual sets and together as a DJ orches­tra and then to close the set there will be a live music house set by Burnt Sugar the Arkestra Cham­ber, con­ducted by Greg Tate, with spe­cial guest vocal­ists Lady Alma and Imani Uzuri. A one time event for sure, so be there!!

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