Discography

Making Love to the Dark Ages
  • Making Love to the Dark Ages
  • LiveWired: 2009
Chopped and Screwed Volume 2
  • Chopped and Screwed Volume 2
  • truGROID: 2007
More Than Posthuman - Rise of the Mojosexual Cotillion
  • More Than Posthuman - Rise of the Mojosexual Cotillion
  • TruGROID: 2006
If You Can't Dazzle Them With Your Brilliance, Then Baffle Them With Your Blisluth
  • If You Can't Dazzle Them With Your Brilliance, Then Baffle Them With Your Blisluth
  • truGROID: 2005
Not April in Paris; Live from Banlieus Bleues
  • Not April in Paris; Live from Banlieus Bleues
  • TruGROID: 2004
The Rites: Conductions Inspired By Stravinsky's Le Sacre Du Printemps
  • The Rites: Conductions Inspired By Stravinsky's Le Sacre Du Printemps
  • : 2003
Black Sex Yall: Liberation & Bloody Random Violets
  • Black Sex Yall: Liberation & Bloody Random Violets
  • truGROID: 2003
That Depends on What You Know: 1:3 The Sirens Return / Keep It Real 'Til It Flatlines
  • That Depends on What You Know: 1:3 The Sirens Return
  • truGROID: 2001
That Depends on What You Know: 2:3 The Crepescularuim
  • That Depends on What You Know: 2:3 The Crepescularuim
  • truGROID: 2001
That Depends on What You Know: 3:3 Fubractive Since Antiquity Suite
  • That Depends on What You Know: 3:3 Fubractive Since Antiquity Suite
  • truGROID: 2001
Blood on the Leaf
  • Blood On the Leaf
  • truGROID: 2000
“on "Sirens of Triton" ... After calling for Vijay Iyer's spare, funky acoustic piano solo, Tate gradually surrounds him with rich, thick textures from electric guitars, synthesizer, and electronic and acoustic percussion. "Gnawalickenlallibella" opens in 6/4 time with Iyer's steady arppegios overlaid with "choked" staccato lines from electric guitar and synthesizer, giving the song the feel of needle on vinyl. Three minutes later here comes Swiss Chris banging out drum n' bass beats, until Tate moves the band into another mode where the guitars sound like sitars playing scales reminiscent of an Indian raga. The amazing thing about Tate's concept is the way it draws on aesthetics of sampling and yet it is completely improvised instrumental music.”
by  Robin D.G Kelley
Seeing Black.com
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