All Ya Needs That Negrocity
Now entering our second decade, Burnt Sugar The Arkestra Chamber continues an obsessive drive to bring Frankenstein back to musical hybridity–brutally grafting and re-charging funkystanknasty older tribal forms with present-day post-soul energies while leaving all manner of wires, lesions, sutures, scars and microsurgical filigree loose, open and lubricious in the bloody bargain.
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Making Love to the Dark Ages
Burnt Sugar’s first studio recording in 5 years in celebration of the band’s 10 year anniversary. A tasty mix of history and contemporary. A spicy blend of jazz, improv, innovation and composition.
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Chopped and Screwed Volume 2
Remixes, rarities, out-takes and conductions — including tracks from the score for Greg Tate’s film “Black Body Radiation”
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More Than Posthuman — Rise of the Mojosexual Cotillion
Our version of what R and B might sound like today if live bands hadn’t been derailed by sampling technology in the Black community somewhere around 1977.
We’ve got all the freeform raging horns and guitars of our previous albums only compositionally compressed into these groovevicious post-everythang song forms.
Double Disc
If You Can’t Dazzle Them With Your Brilliance, Then Baffle Them With Your Blisluth
Burnt Sugar live on stage: Bordeax, San Sebastion & New York City. (double disc)
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Not April in Paris; Live from Banlieus Bleues
Recorded Live at Banlieus Bleues: Salle Pablo Neruda, Bobigny, France
March 19th, 2004
The Rites: Conductions Inspired By Stravinsky’s Le Sacre Du Printemps
Greg Tate’s band under Butch Morris’s baton.
With: Butch Morris, Pete Cosey & Melvin Gibbs
Black Sex Yall: Liberation & Bloody Random Violets
One of Burnt Sugar’s most diverse and opulent recordings. This collection features key contributions from Vernon Reid, Vijay Iyer, Butch Morris, Pete Cosey, Tamar Kali, DJ Mutamassik, Omega Moon and Kirk Douglas of the Roots.
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Blood on the Leaf
Back in the summer of 1999 Greg Tate gathered a crew of eight musicians to flesh out an idea he had for a new type of band, to perform a new type of music. Those sessions and the following jams at Shariff Simmon’s throwdowns in the basement of CBGBs led to this recording.
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